A Quote by Stephen Covey
It takes a great deal of character strength to apologize quickly out of one's heart rather than out of pity.
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It takes a great deal of character strength to apologize quickly out of one's heart rather than out of pity. A person must possess himself and have a deep sense of security in fundamental principles and values in order to genuinely apologize.
There are two kinds of pity. One, the weak and sentimental kind, which is really no more than the heart's impatience to be rid as quickly as possible of the painful emotion aroused by the sight of another's unhappiness, that pity which is not compassion, but only an instinctive desire to fortify one's own soul agains the sufferings of another; and the other, the only one at counts, the unsentimental but creative kind, which knows what it is about and is determined to hold out, in patience and forbearance, to the very limit of its strength and even beyond.
And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.
Being able to play tragedy for humor rather than pity is a new trick I've learned. For a long time that's what I did with my poetry, ask people to feel sorry for me. I got sober and I realized I have to get out of the pity thing; it's not going anywhere for me. I don't want to have any self-pity.
I almost always write everything the way it comes out, except I tend much more to take things out rather than put things in. It's out of a desire to really show what's going on at all times, how things smell and look, as well as from the knowledge that I don't want to push things too quickly through to climax; if I do, it won't mean anything. Everything has to be earned, and it takes a lot of work to earn.
I think the best way to quickly describe my personality is that I'm a maximizer rather than a satisficer, i.e. I want to squeeze every drop out of an opportunity rather than settle for 'good enough.'
Confronting our feelings and giving them appropriate expression always takes strength, not weakness. It takes strength to acknowledge our anger, and sometimes more strength yet to curb the aggressive urges anger may bring and to channel them into nonviolent outlets. It takes strength to face our sadness and to grieve and to let our grief and our anger flow in tears when they need to. It takes strength to talk about our feelings and to reach out for help and comfort when we need it.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
It takes a great deal of strength to be an optimist.
Rather than the strength it takes to not lose, it's the strength to stand back up after a loss that is sometimes more valuable.
When I started out in business, I spent a great deal of time researching every detail that might be pertinent to the deal I was interested in making. I still do the same today. People often comment on how quickly I operate, but the reason I can move quickly is that I've done the background work first, which no one usually sees. I prepare myself thoroughly, and then when it is time to move ahead, I am ready to sprint.
It takes more courage to reveal insecurities than to hide them, more strength to relate to people then to dominate them, more 'manhood' to abide by thought-out principles rather than blind reflex. Toughness is in the soul and spirit, not in muscles and an immature mind.
The game of football really is more cerebral than most people think. To be successful, it takes more than just strength and speed; it takes versatility, intelligence, and ability to think quickly and calmly, to adapt to every situation.
The way that you have cut the film, you can take the audience out of the action if it becomes evident that there is a stunt double doing it rather than the actor. I'd rather stay with the character and the story point behind the fight, rather than cutting to a wide angle of the fight.
I'd rather deal with a Mob guy shaking hands on a deal than a Hollywood lawyer, who, the minute you get the contract signed, is trying to figure out how to screw you.
It takes a great deal of courage to give me a public shout out, that's for sure.
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