A Quote by Stephen Curry
I have much less confidence on the greens than I do on the court. Everybody asks like if putting is like shooting free throws. Like that six-footer for par or something like that. It has a very similar kind of mindset.
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Everybody asks if putting is like shooting free throws. It has a very similar kind of mindset. And it's just you, the ball, and the target.
We started when we're around 13 writing it - maybe 14. I'm a little older than Evan Goldberg is, like, only like six months. But like, I would say, like, the general structure of the movie, like, the series of events is very similar to what it was when we first wrote it.
What I don't like so much is people who - how do you say this? - who make judgments over the genre of reality like it's television from the devil, and that's something that I don't like because I think everybody should watch what they like. It's a free world. It's a form of democracy. If you like it, watch. If you don't like it, don't watch.
When I'm on the court, I feel at peace, really. It feels like my home. I'm always thinking of something creative to do, like trick shots or something like that. It's just something about the basketball court that touches me; it makes me feel like nothing is wrong on the court.
When the Supreme Court says baseball isn't run like a business, everybody jumps up and down with joy. When I say the same thing, everybody throws pointy objects at me.
The place smelled like Sam -- or, I guess, he smelled like the store. Like ink and old building and something more leafy than coffee but less interesting than weed. It was all very ... erudite. I felt surrounded by conversations I had no interest in participating in.
The English countryside is the most staggeringly beautiful place. I can't spend as much time there as I like, but I like everything about it. I like fishing, I like clay- pigeon shooting.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
I knew I was different when I was about six years of age but I just knew that I wasn't like everybody else. I mean I wasn't like the other kids. I didn't know what that was. But I guess it was when I was in seventh or eighth grade, I'm like, 'Hey, something's wrong here.'
Chipping and putting for par is like a dog chasing cars, he won't be doing it for very long.
Putting a bomb in a dumpster or putting it with a timer by a race, it is not the kind of - similar to the attacks that we've seen where people open fire with assault rifles and things like that.
All who strive to live for something beyond mere selfish aims find their capacities for doing good very inadequate to their aspirations. They do so much less than they want to do, and so much less than they, at the outset, expected to do, that their lives, viewed retrospectively, inevitably look like failure.
If I were given a change of life, I'd like to see how it would be to live as a mere six-footer.
I like clothes. I really do. I like going through colors, in a way. I go, 'Greens, man. Greens. Oh, yellow. This yellow feels good.' So it shapes your psyche in a way. But I don't think about it too much, even though I'm interested in it.
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