A Quote by Stephen Curry

Steak and Shake in Indianapolis is definitely the first stop when we hit that city. — © Stephen Curry
Steak and Shake in Indianapolis is definitely the first stop when we hit that city.
I'm not from Indianapolis, but I like living in Indianapolis. If I were to explain it, I'd tell someone to imagine a city that perfectly captures the best and the worst of America. Imagine the truly American city, because that's what it is.
There is this place in Nashville called Steak and Shake, which is pretty much the best food, ever. That is our secret, sexy place to go. When I look over at her when she's biting into a steak sandwich and there is some steak sauce dripping down her chin, there is nothing sexier.
I know I can eat a lot. Normally, at home, I finish my steak, eat the rest of my fiancee's steak, and think about eating the two that are still left on the grill. I just can't stop eating.
I grew up in Indianapolis, Ind., then a conservative, provincial city. Anglophilia was the first foreign language I was exposed to. Or maybe it was a way of one-upping the local white people. Or maybe it was an early manifestation of homohood.
I shake everybody's hand before the game, but Oklahoma City, they don't shake hands. Only some of them, but I don't think they really shake hands before the game.
Indianapolis proved to be the perfect Super Bowl city, accommodating in the truest sense of the word.
Many people believe the names of In 'n Out and Steak 'n Shake perfectly describe the contrast in bedroom techniques between the coast and the heartland.
Imagine a city where graffiti wasn't illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall - it's wet.
The most important thing, my father told me, which I have never forgotten, and which I have often put unto practice was: If you get into a quarrel with anybody, hit him first. "If you hit first, the battle is half-won," my father always said "Don't let him hit first. You hit him first." "What's more," he never forgot to say, too "Usually one blow is all you need." I found this to be true.
You know when you first meet someone and they shake your hand? Hugging is how I shake hands.
I remember my first time coming to New York City. It was 1986, and I was on a U.S. tour with a stop at Lincoln Center. It was love at first sight.
There's definitely more pressure to get the first hit when you are 0-for-8 to start the year.
I turn bullish at the instant my buy stop is hit, and stay bullish until my sell stop is hit.
Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.
Take off your bedroom slippers, put on your marching shoes. Shake it off. Stop complaining, stop grumbling, stop crying. We are going to press on. We’ve got work to do.
I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
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