A Quote by Stephen Curry
I had talked to a lot of people in Golden State's front offices before the draft. They said they liked me, but they had a lot of guards, so I didn't think that I would end up there.
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For me, and I said this even before the draft, I think being with the same team for my whole career would be something that would be very special to me because, especially at the quarterback position, that means that we won a lot of games, hopefully Super Bowls, 'cause that's the end goal.
But there's a lot of them that had that exact reaction, who had never heard Trump speak before. And I remember when I said this after [Donald] Trump's speech, I had a lot of emails. "Come, Rush! It's not... People aren't that segregated anymore." Don't doubt me on this. The left, you do not know how they sequester themselves.
I have a lot of love for the Golden Bears. I was upset and disappointed with the rumors that came out when it came time for me to enter the draft. There were a lot of negative things said about me that hurt me, that I wasn't a team player and I didn't work hard.
I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
My father is a cultural anthropologist and my mother ran an outpatient clinic and treated a lot of people who had been institutionalised. I was very fascinated with behaviour and criminology and why people do things that don't make any sense. I would probe my mother: "Why? Why would somebody do this?" And look for some causality between someone's mental state and their behaviour. I think it had a lot of influence on me.
I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
I think I have had my story with France. Unfortunately, it's not the story I would have liked. I would have liked to have played a World Cup; I would have liked to have done a lot more for the French national team.
I was part of the draft resistance movement in L.A. where we did demonstrations at the draft centre and burned our cards and made a lot of trouble on campus. I had a student classification and they said that anybody who'd taken part in these demonstrations would be reclassified and drafted. And that's when I went to Canada.
I had people sleeping in front of my home. I couldn't go anywhere. It confronted me from the moment I woke up. There would be 100 people at the lot where we shot 'The Partridge Family.'
If I have a golden touch, I'd also say that I have the opposite of whatever a golden touch is, because I've had a lot of things fail. I think part of the experience of being successful is that you have to have a lot of stuff not work.
I played a lot of dress-up in my room. I really liked being alone. I had a lot of friends, but I had an only-child, live-in-my-head personality.
I had relatives in New York City who I stayed with. And in those days, the area from Union Square down Fourth Avenue had small bookstores, many of which were run by Spanish immigrants who'd fled after [Francisco] Franco's victory. I spent time in them, and also in the offices of Freie Arbeiter Stimme (Free Worker's Voice) with anarchists. I picked up a lot of material and talked to people, and it became a major influence.
When I went from Tottenham to China a lot of people said that was it, my career was over. I had a couple of other offers at the time but they were both loans and I would have had to go back at the end. I just wanted to play.
People talked to me in a way I think they would not have talked to somebody who hadn't shared the experience; they gave me their papers, they gave me their diaries. I found people constantly opening up to me. And I think they did because I had shared that experience with them.
My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
When I got on that plane, it was loaded with white people going to Africa for the Peace Corps. I got there and met a lot of them, and actually they had more peace there in Guinea than I have here. I talked to some of them. I told them before they would be able to clean up somebody else's house you would have to clean up yours; before they can tell somebody else how to run their country, why don't they do something here.
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