A Quote by Stephen Curry

There's a reason that I have confidence out there, and it's about how I prepare for games and for series and seasons and whatnot, so we've got to stick with that kind of thought process.
I'm an old guy, so I started out playing 'Pong' with my brothers, and 'Mario Bros.' and whatnot. But we really got involved and got intense when 'Tecmo Super Bowl' came out. That's when we really started playing video games, and it got intense.
It's not about big markets or small markets. It's not about dominant teams or not. It's about the actual competition and how good the games are, how good the series turn out. That's what I think is the most important for fans.
It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.
That's a discovery process. That's the terrifying and wonderful part about getting picked up to series. You get to develop the stories and talk about the characters, and find out where the heart of the series is.
We've got to have that mindset that we've got to close out games and go up by more than two scores to really shut out the opponent and just take away all their confidence.
I've managed to play most games every season for many seasons. That gives you confidence and stability.
You have no idea about presents or what they mean. The last present you gave me was a stick.” “You wanted a weapon.” “It was a stick.” “It had a bow on it.” “It was a stick.” “I thought you liked the stick. You laughed.
I'm not comparing myself with anyone, but I am very confident about my captaincy, as I have already led India and in the IPL also. I have confidence I can bring out each player's ability fully and also give them a lot of confidence... I would like to stick to what I know best and what I have confidence in.
When I went travelling around Europe there was the Eurovision song contest on, and I got a bit dunk and we missed our train to Budapest the next day. Anyway, when I got back I kind of realised how many songs there were about people giving up things for somebody, so I thought I'd make a song about giving up things I don't have. These elaborate things that I don't have that I could give up to somebody, and I kind of thought there was kind of some sweet sentiment in that.
In my essay for 'The Good Immigrant,' I write about how concerns about race and immigration crept up on me a bit because of how I grew up and my background - I was quite fortunate, really; I never got the rough end of the stick with a lot of that kind of stuff.
Games I do find interesting for what they say about us, about what we wish for, about the programming. But let it stop there: don't listen to this rubbish about them actually being good for you, helping with hand-eye co-ordination or whatever. They're games. They prepare you for nothing.
It has always surprised me how little attention philosophers have paid to humor, since it is a more significant process of mind than reason. Reason can only sort out perceptions, but the humor process is involved in changing them.
I grew in a community where I saw the process of how one becomes a drug dealer or a gang banger or a stick-up kid. There's a series of events that happen. People don't just wake up and decide they wanna be that.
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
Life is about seasons, and I think you got to know the seasons.
I've got a very short attention span, and this has been part of the reason I'm so kind of dumbfounded at the fact that I've still stayed with music. Nothing has ever stuck for me, and music's the only thing that's managed to stick out for a long period of time.
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