A Quote by Stephen Dobyns

One writes a poem when one is so taken up by an emotional concept that one is unable to remain silent. — © Stephen Dobyns
One writes a poem when one is so taken up by an emotional concept that one is unable to remain silent.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
Sometimes a people lose their right to remain silent when pressured to remain silent.
One who writes a poem writes it because the language prompts, or simply dictates, the next line.
The one who writes a poem writes it above all because verse writing is an extraordinary accelerator of conscience, of thinking, of comprehending the universe.
My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.
The "truth" is the poem itself. Just because someone writes a poem about a feeling she has does not mean that the feeling will stay forever. The truth of the emotion of the poem remains, even if the particular truth of the poet changes.
Those who kept silent yesterday will remain silent tomorrow.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
People knew about Babi Yar before Yevtushenko's poem, but they were silent. And when they read the poem, the silence was broken. Art destroys silence.
A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
You plan to be a challenge, do you?" Juliana smiled angelically. "I agreed to remain, my lord. Not to remain silent.
You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise you're merely imitating yourself, going nowhere, because that's always easiest.
And why should any man who writes, even if he writes things immortal, nurse anger at the world's neglect? Who asked him to publish? Who promised him a hearing? Who has broken faith with him? Your poem, your novel, who bargained with you for it?
A recent government survey found that 47 percent of all women report being the victims of either physical, emotional, sexual or economic violence. But 84 percent of those who are victims of domestic violence remain silent.
In high school I was leafing through an anthology that our teachers had given up and I found a poem, I go, "That's so strange. This poem looks so much like my grandfather's poem."
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