A Quote by Stephen Dobyns

For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.
Some people are very earnest after the things of God, and he who seeks finds, and the more he seeks in the right direction the more he finds. He that is dilatory in searching after the things of God, obtains but little; he that is diligent obtains much. All may receive it, but they must obtain it in the way that God has appointed, all receiving their measure according to their diligence and desire; but the spirit is the same.
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
Hellboy was entirely the comic I wish someone much more talented than I was doing, because I would have been a huge fan of that comic. But nobody was doing it, so it fell to me to do it.
Between last night and this morning, I've been getting a lot of messages from overseas fans along the lines of 'There's an American comic ripping off Bleach!' I'm not that good at English, but I looked at the site and it seems it's a comic by Nick Simmons, the son of Gene Simmons. To be honest, I'm more bothered by the fact that Gene Simmons' son is a comic artist than whether or not it's a rip-off.
I was a serious comic collector and fanboy as a kid. I wanted very badly to draw comic books for a lot of my childhood and early adolescence. So when you have an unfulfilled dream like that, when years later you find yourself in a position to make a graphic novel - hell yeah, I'm going to do that.
We have had no good comic operas of late, because the real world has been more comic than any possible opera.
The British are actually a lot more appreciative of the comic. In Canada, if you're perceived as a comic writer, there's a real snobbery, and you can't be serious. You're not a big hitter.
I'm a comic writer, in some ways, and a comic person when I'm up at a podium, in order to disguise the fact that in my heart I'm disgustingly earnest.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
I'm a big comic book geek and I've been reading comic books since pretty much since I was five or six in 1971 or something like that. So, I mean, I read it all and there's certainly a lot of different iterations of Superman that I personally have enjoyed more than others.
We're comic. We're all comics. We live in a comic time. And the worse it gets the more comic we are.
Well, you could almost say, I suppose, that the scientist seeks what is similar between any two days, or bluebirds, or glaciers. And the poet seeks what is different. The artist seeks to celebrate the unique.
Hollywood wanted a certain type of comic - that Def Jam comedy style of comic that was very loud, very brash, very much from the ghetto, had that sensibility.
The enthusiast always finds the master, the masters, whom he seeks. Always genius seeks genius, desires nothing so much as to be a pupil and to find those who can lend it aid to perfect itself.
Someone who takes the time to understand their relationship with source, who actively seeks alignment with their broader perspective, who deliberately seeks and finds alignment with who-they-really -are, is more charismatic, more attractive, more effective, and more powerful than a group of millions who have not achieved this alignment.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
This site uses cookies to ensure you get the best experience. More info...
Got it!