A Quote by Stephen Dorff
I think that when I was younger and had my first round of big success and was plastered on magazine covers in the early and mid-'90s, I was kind of outspoken and had kind of a pretty aggressive attitude in my life.
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I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to try to - you know, the book was obviously my first kind of big creative pursuit I had control over.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
'90s fashion is awesome. Best of both worlds - you had power pop, like the Spice Girls and Shampoo. But then you had Nirvana and Hole. And you also had '90s dance music like N-Trance, who kind of blended both.
Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
I think pretty much all people who love each other had some kind of thing at first sight. I mean, there has to be some kind of moment where you, like, feel a different energy around someone.
A big success can be very confusing if it comes too early in your life. When you are young, you are more vulnerable to vanity. I was 36 when I wrote The Shadow of the Wind and the success of it was very gradual. If you have this kind of success straight off, I think there is a danger you can become an idiot, because you don't have a perspective. It hasn't changed me a lot. I fly first class now. But those things don't change you. If I am pretentious, I was before, I haven't changed. The only thing is, I am less anxious now.
When I was younger, I had a much better connection between words and music. Somewhere along the way, I had kind of an aspiration to disconnect them, to just kind of go into a totally musical world.
To me, success was not having to have a boss and not having a day job. I've been living my own version of success since the early '90s when I first got signed. I haven't had a job since then.
I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
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