A Quote by Stephen Dorff
I'm used to having big movie cameras in my face; I pretend that they're not there.
Related Quotes
I'm used to having big movie cameras in my face, I pretend that they're not there. But I actually like being on my own, I like being in the space.
I've had cameras on me since I started the art of fighting and I think that I'm used to having cameras on me in adrenaline-type situations.
I've been doing photography in one form or another for, oh golly, over seventy years. I don't carry cameras. I used to. For many years I carried cameras wherever I went. Photograph whatever I saw that was of interest. In the last years, I've only used cameras to explore thematic ideas which presented themselves first. And then bring out the cameras to try to explore that idea.
Having to act like an adult because I was directing a big movie but also feeling like a child because we had reindeer and big cameras and they had fake snow. I just wanted to go play in the snow.
Ironically, I don't like having cameras in my face.
A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.
People are so used to having their lives filmed, they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.
The way social media is now, and people are with cameras - we all live different lives whether you're in the spotlight or not. I mean, you can't be a boss or an executive of a big time company and act a fool, because there are cameras everywhere and people are going to document it and take pictures. I'm not used to stuff like that.
Being on 'Total Divas' definitely prepared me. Because when you're on a reality show, you're used to cameras following you. However, the big difference with 'Big Brother' is they do not turn off.
I wasn't used to all these cameras getting stuck in my face. I feel like Justin Bieber sometimes.
Having a hearing is educational. Having a hearing with television cameras is useful. Having a hearing with two rows of television cameras is Heaven.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.
I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
Kids and cameras are a big things with me. Find a kid who digs cameras and share one simple photo tip with her.
This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.
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