A Quote by Stephen Dorff

My first manager was this lady named Booh Schut. She actually worked with me on my auditions. — © Stephen Dorff
My first manager was this lady named Booh Schut. She actually worked with me on my auditions.
Hillary Clinton was the first professional First Lady, the first feminist First Lady, the first First Lady from the '60s generation, the first First Lady who was the breadwinner in the family. A lot of America liked and admired that. Some other parts of America found that unappetizing and even kind of threatening. So she became a flashpoint simply for who she was.
I ended up meeting my manager because my sister was a receptionist at a management company. My manager is actually my same manager that I have today. That's how it started. I worked my way.
And I asked my mother 'can I touch the lady in the water? And she said yes I could, but I had to touch Mommy first. And then I asked, 'Mom, can I date the lady in the water?' and she said smiling 'sure, but you gotta date me first.' And yesterday I said 'Mom, may I marry the lady in the water?' and she said o.k., but you'll have to marry me first.
My mother was the first African-American policewoman in Seattle - recruited, actually - and she did it for only 2 years, as she did not want to carry a gun. She worked mostly on domestic disturbances. The NAACP wanted her to do it. She did not actually have the temperament to be a cop - she was very sweet. She had a Masters in social work.
I am a Tambrahm born and brought up in Jamshedpur 20 years of my life, as my father worked for the Tatas there. My mother was a chief manager in the Bank of India and the only lady manager in Bihar in those times.
I meant it when I said she was the greatest first lady ever. Because she viewed the presidency and being first lady as an opportunity to improve people's lives. It wasn't a burden. She put her heart and soul into the experience, just like I did.
My wife, well she has extensive experience, because before becoming the first lady, she was the wife of the CEO of a large conglomerate. So I have very high hopes that she will carry out her job successfully as first lady of the Republic of Korea.
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
I just talked to a young lady, a freshman at Santa Barbara. She's taking a course, and Moneyball's one of the required readings. This young lady could dream of one day becoming a general manager.
I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.
So she [Eleanor Roosevelt] is an amazing First Lady. What other First Lady in U.S. history has ever written a book to criticize her husband's policies?
The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.
At my first library job, I worked with a woman named Sheila Brownstein, who was The Reader's Advisor. She was a short, bosomy Englishwoman who accosted people at the shelves and asked if they wanted advice on what to read, and if the answer was yes, she asked what writers they already loved and then suggested somebody new.
I say this everywhere I go: I admire and respect Hillary. She has been a lawyer, a law professor, First Lady of Arkansas, First Lady of the United States, a U.S. Senator, Secretary of State.
When my daughter looks at me, she sees a small old lady. That is because she sees only with her outside eyes. She has no chuming, no inside knowing of things. If she had chuming she would see a tiger lady. And she would have careful fear.
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
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