A Quote by Stephen Dorff

In my early 20s, I was buying Kristofferson records. I loved his acting; then I found out all the songs he wrote. I loved the Highwaymen. I collected all that stuff.
I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
Growing up, I loved magic, I loved acting, I loved comedy. I really didn't know what direction I was going. I was trying a whole bunch of stuff.
I loved Peter Sellers. I thought he was the perfect mix of physical comedy with out-of-the-box humor. I loved his tone; I loved his physicality; I loved everything about what he was doing as a comedic actor.
I always loved acting. I always loved realism. I loved the theatre, specifically small audience, real-sets stuff.
I think Oscar Wilde wrote a poem about a robin who loved a white rose. He loved it so much that he pierced his breast and let his heart's blood turn the white rose red. Maybe this sounds very sentimental, but for anybody who has loved a career as much as I've loved mine, there can be no short cuts.
I always loved singing and writing poetry. I always loved music, and I’ve loved writing my whole life. When I put them together it was probably in my early 20s, where I put words to music for the first time.
I always loved singing and writing poetry. I always loved music, and I've loved writing my whole life. When I put them together, it was probably in my early 20s where I put words to music for the first time.
I've been producing records, and as early as my late teens, early 20s, I put out a hip-hop record and then the Ringside stuff. You know, I just feel like I want to spend these years realizing all of my ambitions. I feel like we live in an age in which you can chase your dreams with focus and a vision.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.
I think the narratives on 'Trans,' 'Plans,' and 'Narrow Stairs' moved away from the way I wrote on the first couple of records, which was a lot more impressionistic. I was writing those songs in my early 20s, so I thought I was being more clear than I actually was.
He learned through the way that my father and I felt about his songs, his country songs, that they were great songs. And then he went out and sang them for the audiences that we found, and he found a tremendous reaction to that.
I wasn't good at anything at school, and acting was the only thing that I really loved doing and was interested in. It was kind of like my only option. For me to get opportunities in acting is so fortunate. I found something I loved doing and wasn't terrible at; it was quite nice.
This time, I whispered that I loved him too. Then, I silently listed all the reason: I loved him for his gentleness. I loved him for being an amazing catch yet still vulnerable enough to be insecure. But most of all, I loved him for loving me.
It was as if for the remainder of his life he was condemned to carry with him the egos of certain people, early met and early loved, and to be only as complete as they were complete themselves. There was some element of loneliness involved--so easy to be loved--so hard to love.
In the early 2000s, I was introduced to the noble art of kickboxing, it thrilled me, and I loved it. I loved the honour and the discipline, and I also loved the punching.
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