A Quote by Stephen Dunn

Originality, of course, is what occurs when something new arises out of what's already been done. — © Stephen Dunn
Originality, of course, is what occurs when something new arises out of what's already been done.
Originality is not doing something no one else has ever done, but doing what has been done countless times with new life, new breath.
Originality is also very important to a writer. And all of the writers I've mentioned, of course, are original, but it's important to me that every book that I do be really a completely fresh and new look at the world. And of course, that makes it frightening to start a new book because you can't really depend upon what you've done with previous books.
Future arises out of your misery, not out of your celebration. A really celebrating person has no future; he lives this moment, he lives it totally. Out of that total living arises the next moment, but it is not out of any lust. Of course, when out of celebration the next moment arises, it has more capacity to bless you. When out of celebration the future arises, it goes on becoming more and more rich. And a moment comes when the moment is so total, so whole, that time completely disappears.
Originality is always a strange thing. There's nothing original anymore. It's all something based on something in some way - even if it's not intentional. So that idea has been done.
If it feels like you're aiming for something too familiar, and you're not having a primary new experience, then what's the point of making that movie? It's been done before, so try to find something new out of it.
Everything has been done. It's not possible to create something completely new, something that has never been seen before. It's only possible to make new combinations, establish new connections between things we usually take for granted.
And we should forget, day by day, what we have done; this is true non-attachment. And we should do something new. To do something new, of course we must know our past, and this is alright. But we should not keep holding onto anything we have done; we should only reflect on it. And we must have some idea of what we should do in the future. But the future is the future, the past is the past; now we should work on something new.
Utter originality is, of course, out of the question.
originality" is everyone's aim, and novel techniques are as much prized as new scientific discoveries. [T.S.] Eliot states it with surprising naïveté: "It is exactly as wasteful for a poet to do what has been done already as for a biologist to rediscover Mendel's discoveries.
The big challenge is finding something new without changing completely what you've already done - going deeper into what you've already done and discovering new things while carrying out the same intention.
I am always searching for something different or something fresh, something hasn't been done. But the truth is, at the end of the day, we're all sort of retelling something. We're doing a version of something that's already been done.
Studios are often very nervous of things they don't recognize, by which I mean things that haven't been done before, and therefore, they take a really original idea, and they recognize the originality, and then they try and make it look like something they recognize. So they try to turn it into something far more procedural.
A man who has not enough originality to think out a new title for his book will be much less capable of giving it new contents.
The moments when something new has entered us, something unknown; our feelings grow mute in shy embarrassment, everything in us withdraws, a silence arises, and the new experience, which no one knows, stands in the midst of it all and says nothing.
There is a theory that creativity arises when individuals are out of sync with their environment. To put it simply, people who fit in with their communities have insufficient motivation to risk their psyches in creating something truly new, while those who are out of sync are driven by the constant need to prove their worth.
When you advance a frontier, you're doing something that no one has done before. Every time that happens, you have to innovate. You have to think in new ways that hadn't been thought before. You have to invent a new piece of hardware, a new concept, a new law of physics, a new material, a new construction material to enable you to accomplish what it is that you chose to reach for by dreaming about tomorrow.
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