A Quote by Stephen Elliott

Tom Kealey might be my favorite short story writer and this astonishing collection is long overdue. — © Stephen Elliott
Tom Kealey might be my favorite short story writer and this astonishing collection is long overdue.
My favorite short-story writer is John Cheever.
My favorite short-story writer is John Cheever
The book that first made me want to be a writer is Flannery O'Connor's short story collection 'A Good Man Is Hard To Find.'
Alice Munro is a particular kind of short story writer in that she writes long, character-driven short stories.
For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
I want the reader to feel something is astonishing - not the 'what happens' but the way everything happens. These long short story fictions do that best, for me.
I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
One of my favorite writers is short story writer/essayist Jorge Luis Borges, who was blind. I'm not claiming to be anything remotely resembling a talent of Borges' caliber, but he is an inspiration and a proof that one can be a meaningful and successful writer while blind.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
My favorite writer is Alice Munro. It's simply amazing how well she captures entire lifetimes in a single short story.
I had a short story collection come out in 2006, and then I couldn't work on large projects for a long time because I was finishing my doctoral degree.
Novels are my favorite to write and read. I do like writing personal essays, too. I'm not really a short story writer, nor do I tend to gravitate to them as a reader.
I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.
Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously.
Within a scantily plotted, novella-style narrative (the movie is an adaptation of a short story by Tom Bissell), single shots become story events that mere mention would spoil.
'Between Shades of Gray' is a story of astonishing force. I feel grateful for a writer like Ruta Sepetys who bravely tells the hard story of what happens to the innocent when world leaders and their minions choose hate and oppression. Beautiful and unforgettable.
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