A Quote by Stephen Fry
I have always been an impassioned advocate for the works of Shakespeare. I regard him as one of the most complete miracles of his or any other age.
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Shakespeare had no tutors but nature and genius. He caught his faults from the bad taste of his contemporaries. In an age still less civilized Shakespeare might have been wilder, but would not have been vulgar.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
The Homestead plant, taken as a whole, is complete and finished in every department. There is nothing of any consequence to be desired. It is the first time I have ever been connected with any works that I could say it is finished and complete and to my entire satisfaction.
Shakespeare has always been up for grabs, and choreographers have every right to use him any way they choose.
I no longer believe that William Shakespeare the actor from Stratford was the author of the works that have been ascribed to him.
Consider any individual at any period of his life, and you will always find him preoccupied with fresh plans to increase his comfort. Do not talk to him about the interests and rights of the human race; that little private business of his for the moment absorbs all his thoughts, and he hopes that public disturbances can be put off to some other time.
It has been jestingly said that the works of John Paul Richter are almost unintelligible to any but the Germans, and even to some of them. A worthy German, just before Richter's death, edited a complete edition of his works, in which one particular passage fairly puzzled him. Determined to have it explained at the source, he went to John Paul himself. The author's reply was very characteristic: "My good friend, when I wrote that passage, God and I knew what it meant; it is possible that God knows it still; but as for me, I have totally forgotten."
One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
The most extraordinary of all the things called miracles, related in the New Testament, is that of the devil flying away with Jesus Christ, and carrying him to the top of a high mountain; and to the top of the highest pinnacle of the temple, and showing him and promising to him all the kingdoms of the world . How happened it that he did not discover America? or is it only with kingdoms that his sooty highness has any interest.
I soon discovered that man's importunity is God's opportunity. he uses our problems as building materials for his miracles. I began to understand that this was my first lesson in learning to trust him completely, my first steps on the path to complete dependence on, and obedience to, his guidance.
If someone does something we disapprove of, we regard him as bad if we believe we can deter him from persisting in his conduct, but we regard him as mad if we believe we cannot.
Anger about the wars isn't the only reason voters support Mr. Trump. But his willingness to say what other G.O.P. candidates won't reflects what people like most about him: his complete break with the party elite.
During challenging times and when impassioned to act, human beings can be capable of miracles.
A poet or philosopher should have no fault to find with his age if it only permits him to do his work undisturbed in his own corner; nor with his fate if the corner granted him allows of his following his vocation without having to think about other people.
If someone does something we disapprove of, we regard him as bad if we believe we can deter him from persisting in his conduct, but we regard him as mad if we believe we cannot. In either case, the crucial issue is our control of the other: the more we lose control over him, and the more he assumes control over himself, the more, in case of conflict, we are likely to consider him mad rather than just bad.
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