Women began their inner emancipation by their access to literature, by access to the world through books; an access they could not have socially or politically, or of course economically, in the world at large.
There is a beauty in nature and culture that we no longer have access to. Those things you can't forget, you embroider... The further you tell, the further you travel from truth, which means, of course, that literature is a lie.
The smartphone revolution is under-hyped, more people have access to phones than access to running water. We've never had anything like this before since the beginning of the planet.
The beauty of Bumble and this world of online connecting is it gives you access. Going down to the bar, what is your access? What is the access you're gaining there? Really, only a few people.
There is only one way to gain access to the truth and that is to not expect anything.
To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.
Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
The body of literature, with its limits and edges, exists outside some people and inside others. Only after the writer lets literature shape her can she perhaps shape literature.
In my travels all over the world, I have come to realize that what distinguishes one child from another is not ability, but access. Access to education, access to opportunity, access to love.
Theatre critics have no special access to the truth. And there should be no objective truth to art.
America is the only advanced industrial democracy where people can get sick and languish because they can't afford care. Or where people are blocked in access to the system because they don't have access to insurance, which is only available through certain narrow portals and under certain very restricted conditions. We're the only society that hasn't embraced this idea that no one should go without access to these services, regardless of their financial condition. And no one should be saddled with a lifetime of debt because they have the misfortune of falling ill.
...Don't let me ever hear you say, 'I can't read fiction. I only have time for the truth.' Fiction is the truth, fool! Ever hear of 'literature'? That means fiction, too, stupid.
Hindu religious literature, indeed all religious literature, is full of illustrations to prove the truth.
...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.
You always have access to your truth. You always have access to the divine feminine.