A Quote by Stephen Fry

The Gay News critic wrote that I 'carried the lilt of the Irish without the brogue'. — © Stephen Fry
The Gay News critic wrote that I 'carried the lilt of the Irish without the brogue'.
I'm a big fan of the Irish accent. After a couple of drinks, I start to get a bit of an Irish lilt, too.
Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.
People do think I'm Jewish. But we're Irish Catholic. My father had a brogue.
What we call the Irish Brogue is no sooner discovered, than it makes the deliverer, in the last degree, ridiculous and despised; and, from such a mouth, an Englishman expects nothing but bulls, blunders, and follies.
Everybody wants to be a critic: a critic without the actual accolades to be a critic.
A French critic referred to me as a gay pessimist, with gay used in its older sense, and talked of Cocteau in the same breath.
U.S. News Organizations observe the anniversary of September 11 with investigations about the nation's continuing vulnerability to terrorism. First, the New York Daily News reports that two of its reporters carried box cutters, razor kinves, and pepper spray on fourteen commerical flights without getting caught. Then ABC News reports that it smuggled fifteen pounds of uranium into New York City. Then Fox News reports that it flew Osama bin Laden to Washington, D.C., and videotaped him touring the White House.
For the hearts of nurses are solid gold, / But their heels are flat and their hands are cold, / And their voices lilt with a lilt that's falser / Than the smile of an exhibition waltzer. / Yes, nurses can cure you, nurses restore you, / But nurses are bound that they do things for you.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
I'm confused about who the news belongs to. I always have it in my head that if your name's in the news, then the news should be paying you. Because it's your news and they're taking it and selling it as their product. ...If people didn't give the news their news, and if everybody kept their news to themselves, the news wouldn't have any news.
The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
Where would the Irish be without someone to be Irish at?
Gay comes in all shapes, sizes, strengths, and personalities. Just like straight does. It shouldn't be news that- guess what - some gay people don't fit your stereotype.
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