A Quote by Stephen Fry

It's rather splendid to think of all those great men and women who appear to have presented symptoms that allow us to describe them as bipolar. Whether it's Hemingway, Van Gogh... Robert Schumann has been mentioned... Virginia Woolf, Sylvia Plath... some of them with rather grim ends.
Look, if you ask a child, 'Would you rather have a fulfilled mother or a stay-at-home Sylvia Plath,' they'll pick Sylvia Plath every time. But I think it's really important that children don't feel their parents' emotional lives depend on their success.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
Come on, man.... Hemingway, Sexton, Plath, Woolf. You can't kill yourself before you're even published.
Think of Virginia Woolf, 'A Room of One's Own' - that's what women have always needed under patriarchy and can't be creative without. They took away my classroom and my status to teach, and now they have taken away my office, and all of it is giving the message that Virginia Woolf and I are losing what I call 'womenspace.'
It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
This pre-eminence is something [men] have unjustly arrogated to themselves. And when it's said that women must be subject to men, the phrase should be understood in the same sense as when we say we are subject to natural disasters, diseases, and all the other accidents of this life: it's not a case of being subjected in the sense of obeying, but rather of suffering an imposition, not a case of serving them fearfully, but rather of tolerating them in a spirit of Christian charity, since they have been given to us by God as a spiritual trial.
My life is a rather grim one. One day I shall perhaps describe it to you in great detail.
But you have to understand, mental illness is like cholesterol. There is is good kind and the bad. Without the good kind- less flavor to life. Van Gogh, Beethoven, Edgar Allen Poe, Sylvia Plath, Pink Floyd (the early Piper at the Gates of Dawn line up), scientific breakthroughs, spiritual revolution, utopian visions, zany nationalism that kills millions- wait, that’s the bad kind. Tim Dorsey (Hurricane Punch)
You marvel at the economy and this choice of words. How many ways can you describe the sky and the moon? After Sylvia Plath, what can you say?
It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
The symptoms and the illness are not the same thing. The illness exists long before the symptoms. Rather than being the illness, the symptoms are the beginning of its cure. The fact that they are unwanted makes them all the more a phenomenon of grace — a gift of God, a message from the unconscious.
Women are often scrutinized when they have pets that men wouldn't have. We are immediately faulted for having the wrong kind of pet rather than anyone first think, 'Wow, she rescued an animal that would have been otherwise killed and gave them a great home - how sweet!'
Men seem more bound to the wheel of success than women do. That women are trained to get satisfaction from affiliation rather thanachievement has tended to keep them from great achievement. But it has also freed them from unreasonable expectations about the satisfactions that professional achievement brings.
Augustine, Anne Sexton and Sylvia Plath are confessional writers and all three make me sick. I have nothing in common with them.
Obviously, everything has always been defined by the dominant ideology. But the dominant ideology has been able to accept women's literature as well as men's literature. I would say that women have been hindered from creating for a variety of reasons, as Virginia Woolf so admirably explained in A Room of One's Own. When they have created, on the whole they have been recognized. In literature it hasn't been nearly as oppressive as in, say, painting, where even the existence of so many women painters has always been denied.
And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
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