A Quote by Stephen Fry
You don't sit down and write a wish list about the person you are going to fall violently in love with. It just doesn't work like that.
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The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.
I love to write just about more than anything, but there are times I have to force myself to sit down and work. I want to play with my daughter or watch a movie with my husband or go outside on the nicest day of the year. But if writing is going to be your job, you have to treat it like a job.
If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.
My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.
What we really have to do is take a day and sit down and think. The world is not going to end or fall apart. Jobs won't be lost. Kids will not run crazy in one day. Lovers won't stop speaking to you. Husbands and wives are not going to disappear. Just take that one day and think. Don't read. Don't write. No television, no radio, no distractions. Sit down and think. . . . Go sit in a church, or in the park, or take a long walk and think. Call it a healing day.
I understand what's going on, and when I see the fervor, when I see 25,000 people that have seats and not one person during an hour speech will sit down, I say sit down everybody, sit down, and they don't sit down, I mean, that's a great compliment but I do understand the power of the message. There's no question about that.
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
A lot of people get writer's block, and I think you just have to show up for work, sit down, and be like, 'I'm here.' You have to stay confident and positive that you're going to write something.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
Don't fall into the trap of having to have everything perfect to write or wait until the mood strikes you. If you want it as a job, treat it like a job, and just as you don't go to work only when you feel like it, you have to condition yourself to sit and write even when the ideas don't flow.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
Sometimes the songs just come to me. I don't sit down to write like you'd sit down to make a pair of boots.
There are two things John and I always do when we're going to sit down and write a song. First of all we sit down. Then we think about writing a song.
I'm not saying Christopher Pyne and all them are my enemies, they're great blokes, shouted me a few beers a couple of times which I like, it's - we have got to sit down with the people like that. We have got to sit down with people like that and negotiate and work our way through. If we don't do that then we're just going to continue the sins of the past.
I can never think about, 'Is this going to sell? Is this going to work on radio?' I just have to get in the zone where I'm like, 'Do I love this, or do I not love this?' Essentially it all comes down to that.
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