A Quote by Stephen Furst

When I auditioned for 'Animal House,' I had only done some plays at a local dinner theater in Virginia. — © Stephen Furst
When I auditioned for 'Animal House,' I had only done some plays at a local dinner theater in Virginia.
For me, it's all I've wanted to do. I did local plays and productions, local theater groups and anything that involved it. And then, I went and studied it, attended drama school and got my first lucky break in the theater in London, and just went from there.
I actually never auditioned for 'Full House.' I had done a guest appearance on 'Valerie' as the next door neighbor's niece, and from that I got into 'Full House.' I was only five years old, and I was on the show until I was 13.
Woodie King Jr., in 1970, had started a company called the New Federal Theatre, which was ensconced at the Henry Street Settlement. I did a number of plays there, and I auditioned each time. The plays were mostly new. New York was very fertile ground; there was a plethora of African-American plays being done.
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
I had done some community theater plays and I just had so much fun doing it. I was a really shy kid growing up and it gave me a platform to be able to express myself in a way that I didn't feel comfortable doing yet in my own skin.
I did a number of local children's theater plays growing up, but in 5th grade, I had some good times on stage making people laugh as a troll in 'The Hobbit.' That solidified my dream to be on 'Saturday Night Live,' which was hugely influential for me growing up.
When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.
Our family always rescued animals from local shelters or from the street or from someone who didn't want their animal. We always had a dog in our house. We usually had two cats. We had guinea pigs and little chicks and chickens.
I remember I made $22 a week doing dinner theater in Norfolk, Virginia. Back then, in the '70s, that was pretty good for a teenager, for a part-time job.
My mom was an actress in the local Seattle theater doing experimental plays.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
Every White House Correspondents' Dinner for the past three years, I have broken my dress and can't even zip it, so we have to leave - that's why I've missed every carpet appearance. One time, we had to go into Virginia to find me a new dress.
I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.
We had a house in Baga, Goa, that we would visit every Christmas vacation. It was called Love House. The toilet was outside the house. We had no water; someone had to get it from the well. My dad was huge then, but he could walk, go to the local tavern, have a beer and take an auto back.
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