A Quote by Stephen Gardiner
Houses mean a creation, something new, a shelter freed from the idea of a cave.
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Creating things. I love the idea of creation and creativity. Whether it's a character, a short film, a piece of music, a painting, or a bookcase - to watch something go from an idea to a creation is pretty much where it's at for me.
...I think we should find some kind of shelter; a cave or something." "I don't want to do that! What if there's like, a creature living in the cave?" Tiara said. "Seriously, I saw this show once where these people were stranded on an island and there were these other people who were sort of crazy-slash-bad and there was this polar bear creature running around." "What happened?" Miss Ohio asked. "I don't know. My parents got divorced in the middle of season two and we lost our TiVo.
The word; the forth-speaking of a thought, an idea, a truth, is the beginning of every new creation, or pulse of creation. It is the inauguration of every new order of things; it begins every new messianic reign, every coming of a better time. The darkness never comprehends it; but always, to as many as receive it, it gives power.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
I look at other people's tats for probably the idea, or like, where to put it or something. But, at the end of the day, all my tats gotta mean something back to me. The moment you get something that don't mean something to you, you're gonna regret that tattoo.
You will do the greatest service to the state if you shall raise, not the roofs of the houses, but the souls of the citizens: for it is better that great souls should dwell in small houses rather than for mean slaves to lurk in great houses.
Moses freed the Jews. Lincoln freed the slaves. I freed the neurotics.
Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.
As an artist, and for me personally, my biggest fear is categorization. I hate the idea that I would become someone who says that "this is what I do and now that's what I am." What I really feel like is an explorer. I want to continue exploring my brain cave and see what's there, you know? And I don't want to just stay in one cave.
The idea of doing something that I've never done before, that presents a new challenge, that forces me to stretch in some way - that's kind of a perfect project for me, and especially something that has greater social, conversational ramifications. I mean what more could you want?
For the Lord touched all parts of creation, and freed and undeceived them all from every deceit.
I've come to a much more controlled idea about death and loss, but I don't think it's possible to come to that much more controlled idea until you've gone through the crazy part . . . I don't mean that I'm controlled. I mean that I gave up the idea that I had control. That's the new control.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
I used to flirt with fundamentalism, and I had this idea that creation was something that happened. Now I see creation as something that is happening. Hundreds of millions of stars are still being born every day. Creation is an ongoing process. The Artist has not yet cleaned out the brushes. The paint is still wet. Human beings are the small clumps of clay and breath, and we have been handed brushes of our own, like young artist apprentices. The brushes aren't ours, nor the paint or canvas, but here they are in our hands, on loan. What shall we make?
Creation takes things forward. Without anything new there is no progress. Creation equals new.
The sort of enjoyment that we all get from that voyeuristic impulse of looking into other people's house as we pass them, and the idea that there might be something sinister or strange going on in the houses we pass every day or in our neighborhood, is a very compelling idea.
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