A Quote by Stephen Gostkowski
You'll go down a dark road if you just dwell on every time you screw up. We play a very fickle position. If I make nine kicks out of 10, people are going to talk about the one I missed.
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?s long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.
Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.
There are more people that are WORTH playing for and making records for than the fickle and casual - they just don't blog about what they hate as much. I feel like every show that we play live reminds me of why I play music. When you're away from that personal connection, you can get wound up in all the hoo-ha about this and that, but when you get out there and connect with people, you can't help but be moved, and that keeps you going at least until the next show!
When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.
Life is always going to be a series of ouch-making moments, and the question was, was I going to go all fetal position, or was I going to woman up? I went into fetal position on the bed to think about this. Fetal position turned out to be very comfortable.
I was beating Anthony Pettis. I know nine times out of 10 I would have defeated him. It's just that one time you barely get clipped and down you go.
If I'm throwing a no-hitter and someone says, 'Hey, you've got a no-hitter,' obviously I'd be like, 'Yeah, I know.' I just try to be humble. I don't like to talk about myself. I have no problem speaking up when I screw up, but if I'm doing good, people are going to notice. I don't need to talk about it.
You never think about what life's going to be like five years down the road or 10 - you just go though the day and try to make good decisions. Sometimes you do, sometimes you don't. You just hope this day will be a good day.
I just don't talk about who I'm going out with, that's it. It's an odd thing to sit around describing yourself to 10 different people every 5 minutes yet it's kind of therapeutic in a way.
You can try to make the right decision all the time, but it's better to just make a decision. I have done wrong so many times, but nine times out of 10, I have learned from my failure. Don't wait for something; just go for it.
You've got to go out there and play the game the way it's supposed to be played. Then you get people to like you and appreciate your work by just going out there and competing every down. Jerry Rice was looked at in that perspective. He went out there and was a hard-working guy. He was going to give it his all.
If your ex is making things up about you, he's obviously miserable. It's just like, 'Wow, this person really cares to go out of their way to start a rumor about me.' I've dealt with it so much, obviously. The first couple of times, it really sucks. But then [they] just come out with something else. If you dwell on it, it's going to make you miserable. Just move on and laugh it off.
Don't stop. Keep right on going. Hitch up your trailer and go to Canada or down to Old Mexico. Head for Europe if you can afford it, or go to Mardi Gras. Go someplace you've heard about, where you can fish or hunt or collect rocks or just look up at the sky. Find out what's at the end of some country road. Go see what's over the next hill, and the one after that, and the one after that.
Seeing the play ( A Lie of the Mind ) clearly is part of why I wanted to direct it. I see hope at the end of this play. People talk about how dark the play was, but I feel like, if you really look at the darkness, you're able to go through it, and you realize that you can handle dark moments in life and that everything will be all right.
I talk very slow. I move very slow. I definitely have that Southern drawl and although I never necessarily participated in the activities that go along with screw. I definitely was a huge fan of screw. Because melodically, I don't ever really sing very staccato or very fast. It's really about a groove; it's really about a vibe.
I was in depression. I was in my room, dark every night, not wanting to talk to nobody, not going out with my friends, not doing anything, not having a great time. It was a lot of dark nights.
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