A Quote by Stephen Graham
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
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I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I walked over to the hill where we used to go and sled. There were a lot of little kids there. I watched them flying. Doing jumps and having races. And I thought that all those little kids are going to grow up someday. And all of those little kids are going to do the things that we do. And they will all kiss someone someday. But for now, sledding is enough. I think it would be great if sledding were always enough, but it isn't.
I think more of the little kids from a school in a little village in Niger who get teaching two hours a day, sharing one chair for three of them, and who are very keen to get an education. I have them in my mind all the time. Because I think they need even more help than the people in Athens.
Probably not for about 10 years, because I've got so much to do before then, but I really want to have four kids ... I'd love them to have adorable little American accents, but I do want to bring my kids up in Australia; it's such a good lifestyle.
I guess the most important thing I learned from my mother was you have to raise your own children. I try to say this without judgment, but a lot of people really don't want to do the job because it's so much work. Kids are the hardest job there is, so they just hire someone to do it and then they go to work. There's something about that whole how do you balance being a mother and working, and i f I had to choose, I'd have to choose my kids and I do.
Because of what I experienced when I was a kid, I want kids to have that kind of an epiphany moment, that little jolt, that little spark that they see when Dusty ['Planes'] flies higher than he has before. That scene where he flies straight up, and he's starting to get dizzy, and then finally it comes together. We forget as adults. We get jaded and we think that's kids' stuff, but for a kid who doesn't know about anything technical or how a movie is made, they're just going to see this and hear this beautiful score and see this dynamic, fantastical thing happening in front of them.
A really large percentage of kids from Duke go to work on Wall Street, and they make a lot of money, but they're almost slaves to their jobs, working crazy hours. Their job totally dominates their lives, and most of them aren't happy. So many of my friends are going down that path. I even thought about it for a second, like "Should I be doing that?" But I just pursued my dreams instead, and I always tell people to do that. Now I make more money than they do, and I'm doing what I love.
My students are working one, sometimes two jobs. They have kids. They're going school. They're dealing with real everyday problems. They are inspiring because they're trying to get ahead and make a better life for themselves and their kids.
A lot of kids my age can make a lot of mistakes, but college athletes that are in the spotlight, you have to grow up so much faster than regular students or regular kids your age because you are a public figure, so you get one shot, sometimes two.
I'm lucky to have a job where I can bring my kids to work. I love the days they come visit me on set. My goal is and has always been to do work that my kids can be proud of - to set a good example for them. As long as I can still spend quality time with my kids, I'll continue to do what I'm doing and hopefully make them proud.
What I'm angry about, and I've gone on record saying this, is I think that financiers get away with murder. They realize they can get something for nothing and they won't settle for anything else. There's something called a Schedule F. If I work for a Schedule F contract that basically means I'm doing the movie for free because by the time I pay all my commissions and taxes there's barely anything left for me to live on. This whole notion that you do work that you love for very little money and then you go out and do something you hate to make money.
I've got a lot of other people who do a lot of things for me, so I've gotten to a part in my career where I'm doing a lot of talks because I want to get kids turned on. I want to see these kids, these geeky nerdy kids, go out there and do something.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.
Gift cards are kind of like for college kids and sometimes kids because I think kids love the idea of going to buy their own stuff.
A lot of people seem to get carried away that something that's made out of paper mâché is going to be better than not. And I always thought the original King Kong, that terrible little puppet with its hair going in all directions, was far more magical than Peter Jackson's incredibly beautifully rendered King Kong. So there's something to be said for a more primitive version of things. I think it's because it makes the audience work a little bit more, because you've got to invest it with life and reality, so I like doing that.
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