A Quote by Stephen Hawking
It's the gravity that shapes the large scale structure of the universe, even though it is the weakest of four categories of forces
Related Quotes
String theory is based on the simple idea that all the four forces of the universe: gravity, the electromagnetic force and the two nuclear forces, can be viewed, as music.
The large-scale homogeneity of the universe makes it very difficult to believe that the structure of the universe is determined by anything so peripheral as some complicated molecular structure on a minor planet orbiting a very average star in the outer suburbs of a fairly typical galaxy.
We account for one-sixth of the forces of gravity we see in the universe. There is no known objects accounting for most of the effective gravity in the universe. Something is making stuff move that is not anything we have ever touched.
Although gravity is by far the weakest force of nature, its insidious and cumulative action serves to determine the ultimate fate not only of individual astronomical objects but of the entire cosmos. The same remorseless attraction that crushes a star operates on a much grander scale on the universe as a whole.
Everything that can be found in the universe on a large scale is reflected in a human being on a small scale.
What we observe as material bodies and forces are nothing but shapes and variations in the structure of space.
Love was as hardwired into the structure of the universe as gravity and matter.
Two forces rule the universe: light and gravity.
The split between religion and science is relatively new. Isaac Newton, who first worked out the laws by which gravity held the planets and even the stars in their traces, was sufficiently impressed by the scale and regularity of the universe to ascribe it all to God.
The standard model of particle physics says that the universe consists of a very small number of particles, 12, and a very small number of forces, four. If we're correct about those 12 particles and those four forces and understand how they interact, properly, we have the recipe for baking up a universe.
From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.
The most unfathomable schools and sages have never attained to the gravity which dwells in the eyes of a baby of three months old. It is the gravity of astonishment at the universe, and astonishment at the universe is not mysticism, but a transcendent common-sense. The fascination of children lies in this: that with each of them all things are remade, and the universe is put again upon its trial.
There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces.
We find ourselves, one way or another, in the midst of a large-scale experiment to change the chemical construction of the stratosphere, even though we have no clear idea of what the biological or meteorological consequences may be.
Hoyle's enduring insights into stars, nucleosynthesis, and the large-scale universe rank among the greatest achievements of 20th-century astrophysics. Moreover, his theories were unfailingly stimulating, even when they proved transient.
The most remarkable feature about the magnitude scale was that it worked at all and that it could be extended on a worldwide basis. It was originally envisaged as a rather rough-and-ready procedure by which we could grade earthquakes. We would have been happy if we could have assigned just three categories, large, medium, and small; the point is, we wanted to avoid personal judgments. It actually turned out to be quite a finely tuned scale.
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