A Quote by Stephen Hawking

I thought Eddie Redmayne portrayed me very well... At times I thought he was me. — © Stephen Hawking
I thought Eddie Redmayne portrayed me very well... At times I thought he was me.
I've certainly experienced racism, but it has not made a great impact on me. I have always thought, as I got older and older, I was more in charge of who I was. What someone thought about me or said about me made less of an impression on me at very vulnerable times.
Eddie Redmayne is fantastic.
Up until then I'd thought that white people and colored people getting along was the big aim, but after that I decided everybody being colorless together was a better plan. I thought of that policeman, Eddie Hazelwurst, saying I'd lowered myself to be in this house of colored women, and for the very life of me I couldn't understand how it had turned out this way, how colored women had become the lowest ones on the totem pole. You only had to look at them to see how special they were, like hidden royalty among us. Eddie Hazelwurst. What a shitbucket.
I always knew I was a writer. And I always thought to myself, 'Well, why not me?' Someone has to be on the best-seller list, 'Why not me?' Someone has to write for the 'New Yorker,' 'Why not me?' And I didn't really get much positive reinforcement as a kid, so I thought, 'Well let me show you what I can do.'
I thought it very strange, and very sad, that the fairy kingdom largely appears to be English. I thought it was time for some regional representation. And the Nac Mac Feegle are, well, they're like tiny little Scottish Smurfs who have seen Braveheart altogether too many times.
I really fancy Eddie Redmayne. I wouldn't mind a few steamy scenes with him.
Charles Burchfield would look at what you were working on and not say anything for several minutes. Then he would very sensitively respond - "Well, have you thought about?" or "Might you consider?" I respected that so much because I thought he was so sensitive to my work, and didn't want to offend me, but in the right way to encourage me.
A producer came to me about doing a memoir, and at first I thought, "Well, it's a little bland." But then I realized that almost everything that's happened to me was the result of being in the right place at the right time. And I thought "Well, luck has a lot to do with it," so I wrote it from that perspective.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
I think the thrust of any child is to try to fit in and be part of it. And I can't tell you how many times my humor, you know, what I thought was humor ended up making me the outsider. Like I'd be, I go, 'It's a joke.' And they'd go, 'Well, what was funny?' And they just thought I was insane.
I've thought about it more than a thousand times. It was a thousand times worse, so I suppressed it, I suppressed it to death. The moment that I heard that Meahri was leaving, I thought the world was ending because at that moment, I was full of regret. I was avoiding, not thinking, and pretending it wasn't what my heart was hoping for earlier. I'm sorry, because I've made Meahri cry so many times. I'll do well. I'll take care of her forever. Tae-sang, this is my first and last request of you. Just this once, forgive me.
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
I thought I was going to die a few times. On the Freedom Ride in the year 1961, when I was beaten at the Greyhound bus station in Montgomery, I thought I was going to die. On March 7th, 1965, when I was hit in the head with a night stick by a State Trooper at the foot of the Edmund Pettus Bridge, I thought I was going to die. I thought I saw death, but nothing can make me question the philosophy of nonviolence.
All good writers inspire me as I have never thought I was any good. As far as a writer who made me think I could do it, it was Henry Miller. Not because I thought he was so simple that I reckoned I could pull it off as well, but it was his freedom and guts that really moved me to want to write all the time.
My wife loves to tell me that I love to tell people, 'Oh, I never thought WWE would sign me. I never thought I'd be on TV. I never thought I'd be a champion. I never thought any of those things were remotely possible.'
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