A Quote by Stephen Hendry
I don't think about technique. I just pot the balls.
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Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
People see the way I play and the balls I pot and then sometimes think 'how does he miss?'
I like pot, I enjoy pot, I like to smoke it. But, the one thing I don't like about pot is the subculture it's spawned. I think it's embarrassing and really juvenile and uncreative
People think this is all about the top players hitting tenins balls and they talk about technique and strategy and how important that is. But they don't understand the essence of competition. This is one-on-one, two players out there fighting each other with everything they have, trying to bring the best out of themselves. And the difference at this level of the game is all in the head and in the heart.
Sometimes I just rely on technique on stage, but it's not about technique. It's about how much you want to deliver the message to the audience. That's all.
I've studied a technique called the Sanford Miesner technique, that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject.
When I fight, I don't think about being tired, I don't think about technique. I just try to break their will.
I don't think about being tired, I don't think about my technique. I just try to break their will.
Don't think that any one technique is the end. there is no end.
There is no perfect technique. Just when you think you've got
them, you're dead because you didn't.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
When I'm out there, I don't think about anything. I just grip it and rip it. I don't like to worry about technique.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
Maybe bring in sponge balls to learn the technique and gain that experience of actually challenging for a header.
I remember acting in a school play about the melting pot when I was very little. There was a great big pot onstage. On the other side of the pot was a little girl who had dark hair, and she and I were representing the Italians. And I thought: Is that what an Italian looked like?
I do think there is great strength, though, in starting a sermon with a story, then returning to that story at the end. That puts book ends to a sermon. It is a real simple technique that communicates to the audience that there is a sense of closure, that they have a package here, or we began and we closed with this. I think that's just a nice technique.
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