A Quote by Stephen Hillenburg

I do think that the attitude of the show is about tolerance. Everybody is different, and the show embraces that. The character SpongeBob is an oddball. He's kind of weird, but he's kind of special.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
I think if you make a show where you try to make a character look good, not only is it kind of weird, but it's sociopathic.
A ghostly side note Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.
'SpongeBob SquarePants' is a great show, and it centers on a character that is courageously nice. Why is SpongeBob interesting? It's because he has passion. He has a passion for chasing jellyfish.
I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.
In high school, people are sometimes encouraged to be like everyone else. What's so great about this show is that these kids are weird and different and over-achievers. They know what they want and they're going after it. They're weird and they don't deny it. That's what makes it special.
I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.
And to the degree that the individual maintains a show before others that he himself does not believe, he can come to experience a special kind of alienation from self and a special kind of wariness of others.
Any show that kind of relish the damage of its main character without really investigating what that damage does, where it's from or what it means, is a show I think needs to be taken down a peg.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
When the show starts, I am in my SpongeBob stance, and I walk like SpongeBob, and the first step that I take, I am SpongeBob.
People kind of have a misconception, because when someone calls me Theo and I correct them, say, 'No, my name is Malcolm,' they think I have an attitude about it and I don't want to be associated with the show.
Even though 'Kroll' was a crazy sketch show with big characters, one of the things I'm proud of about the show is that the characters were always kind of coming from an emotionally honest place for whoever I thought that character was.
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