A Quote by Stephen Hillenburg

I always pushed back on doing long-form. I imagined SpongeBob as being simple, and I wanted to concentrate on character humor. — © Stephen Hillenburg
I always pushed back on doing long-form. I imagined SpongeBob as being simple, and I wanted to concentrate on character humor.
SpongeBob is a complete innocent - not an idiot. SpongeBob never fully realizes how stupid Patrick is. They're whipping themselves up into situations - that's always where the humor comes from.
I'm hoping that fans will enjoy finally having a 'SpongeBob' comic book from me. All the stories will be original and always true to the humor, characters, and universe of the 'SpongeBob SquarePants' series.
Journalism is being pushed into a space where I don't think it should ever go, where it's trying to support the monetization model of the Web by driving page views. So what you have is a drop-off of long-form journalism, because long-form pieces are harder to monetize.
How long were the stretches of toilsome tacking back and forth, of being blocked, of being thrown back again and again. But all that was annulled by the periods when I had my technique in hand and succeeded in doing what I wanted.
'SpongeBob SquarePants' is a great show, and it centers on a character that is courageously nice. Why is SpongeBob interesting? It's because he has passion. He has a passion for chasing jellyfish.
I had a client who just wanted to entertain me the whole time, that is a defense against going deep, in my mind. What happens when the jokester is not allowed to deflect with humor? You then have to feel the pain, and learn that you can survive it. It makes you more resilient and stronger in the long run, and your sense of humor will always be there. Being able to see the funny is deep.
The magnitude of being able to make my Broadway debut as SpongeBob in 'SpongeBob SquarePants' really only started to hit me when we took it out of town.
You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
I never ask my wife about my flaws. Instead I try to get her to ignore them and concentrate on my sense of humor. You don't want any woman to look under the carpet because there's lots of flaws underneath. Joanne believes my character in a film we did together, "Mr. and Mrs. Bridge" comes closest to who I really am. I personally don't think there's one character who comes close... but I learned a long time ago not to disagree on things that I don't have a solid opinion about.
When the show starts, I am in my SpongeBob stance, and I walk like SpongeBob, and the first step that I take, I am SpongeBob.
Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
As long as a character doesnt die, the character can always come back.
The mistake that people made around 2000 with the emergence of the web was that they thought that people would not read long-form on a screen. Following from that idea, they quit doing long-form on screens. It got shorter and shorter, and then came cats toying with flowers and all of those clichés, but it was wrong. People will read long-form on a device if they want to read long-form.
I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
As long as a character doesn't die, the character can always come back.
I love the long-form format of television. I love being able to develop a character, over a long period of time.
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