To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.
Between 50 overs and 20 overs, there is a big difference, because there is 30 extra overs of fielding and six extra overs to bowl, and that can take its toll.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.
I earn a lot of money in England doing voice-overs, especially in documentaries. Turn on the Discovery Channel here, and you'll hear my voice a lot. It subsidizes my vice of acting in the theater.
I probably would be continuing to do voice-overs, continuing to do cartoon shows, and at the same time I'd probably be on a sitcom or a dramatic television show.
When I started out in Canada, I did a lot of voice-overs and commercials.
I had no intention of ever doing voice-overs. I wasn't opposed to them; I just didn't have any particular knowledge of how or why people do that.
I did commercials and voice-overs as a kid, and it just lead to musical theatre opportunities.
In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.
As an actor I kind of do. I started out doing voice overs in the mid 80s when I was in grad school.
I'm hoping to have a huge future in voice-overs. For years, people have said, 'I recognized your voice before I recognized your face!'
I used to love watching Angela Lansbury and other people when they were doing voice-overs for Disney shows. You'd see them doing these wild gestures in front of the microphone. I used to think, 'Is that really necessary?' What you realize when you're doing it is that that's the only way.
I want to get into voice-overs.
I'm really comfortable doing voice-overs, but it's really fun to do animation.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.