A Quote by Stephen Hillenburg
I wanted to create a small town underwater where the characters were more like us than like fish. They have fire. They take walks. They drive. They have pets and holidays.
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…though I wouldn’t have admitted it, even to myself, I didn’t want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn’t want to be thinking of Him. I wanted to be free—like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn’t want us to be swallowed up in God. I wanted holidays from the school of Christ.
As a woman, I don't feel like I have a responsibility to create better female characters. I feel like I have a responsibility to create good characters. Because the truth is, those kinds of things ghettoize us even more as writers.
I first read Wendell Berry's short-story collections, "Fidelity" and then "Watch with Me." They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.
When I was a child, my father used to take me for walks, often along a river or by the sea. We would pass people fishing, perhaps reeling in their lines with struggling fish hooked at the end of them. Once I saw a man take a small fish out of a bucket and impale it, still wriggling, on an empty hook to use as bait.
There were times when I thought I got a bit more punishment than was coming to me, but I don't regret a minute of it now. Each of us must be tempered in some fire. Nobody had more to do with choosing the fire that tempered me than myself, and instead of finding fault with the fire I give thanks that I had the metal to take the temper and hold it.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
I do, and I hunt. I like small horses best. They're like small men. They have more to prove so they take all the more risks and jump higher and faster than all the rest.
I grew up in the small German village of Bosingen, which is located between Black Forest and the state capital of Stuttgart. And when I say small, I mean small. In our village, there were no more than 1,700 people. And we all loved football, but there weren't a lot of places for us boys around town to play in.
A town is a thing like a colonial animal. A town has a nervous system and a head and shoulders and feet. A town is a thing separate from all other towns alike. And a town has a whole emotion. How news travels through a town is a mystery not easily to be solved. News seems to move faster than small boys can scramble and dart to tell it, faster than women can call it over the fences.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
When my father and I were off in the woods or off fishing, we were communicating all the time. We didn't catch many fish and my father was a pretty good fisherman but he just like to take one or two fish and then we would make camp and broil those fish and eat them.
A lot of stuff doesn't faze me. I think it's because I was brought up in a small town, and normally, when you're from a small town, when you see a famous person, you'd be like, 'Oh my god. This never happens,' but I've always kind of been like nonchalant.
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
Small miseries, like small debts, hit us in so many places, and meet us at so many turns and corners, that what they want in weight, they make up in number, and render it less hazardous to stand the fire of one cannon ball, than a volley composed of such a shower of bullets.
Life in a small town is like an intricately plotted novel, and even though I had read every book in the public library by the time I was fourteen, I found the real people around me saying and doing far more interesting things than did the imaginary book characters.
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