A Quote by Stephen Hough
At moments of acute joy or sorrow, men and women throughout history have sung or reached for musical instruments to express the inexpressible. When minds are taut with emotional entanglement, there seems to be an inner compulsive instinct to release and harness this tension through the measured vibrations in the air that we call music.
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I used to play a few instruments including guitar and snare drums, but I think a musical background is an important part of a career. If you start out playing instruments you create a better instinct and feeling for music.
Vocals are not central to what I do, and I've never liked singing live. I've always been more inspired by rhythm, texture, harmony than vocal melodies and lyrics. Plus, for me, I can better express my musical ideas through instrumental music than vocal music, the emotional interpretation of which can easily supersede the actual musical content or aim.
It's a dream come true, and with this music, with this Rossini, it's unbelievable how to express the joy and express the joy of the situation and the joy to play this music, to sing this music, it's really fantastic.
Music is my way to shine back and express positive vibrations for a common healing. It's similar to farming, or surfing, or yoga. Before world peace, we have to have inner peace and music helps us get there.
Sorrow is so woven through us, so much a part of our souls, or at least any understanding of our souls that we are able to attain, that every experience is dyed with its color. This is why, even in moments of joy, part of that joy is the seams of ore that are our sorrow. They burn darkly and beautifully in the midst of joy, and they make joy the complete experience that it is. But they still burn.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
Joy is hidden in sorrow and sorrow in joy. If we try to avoid sorrow at all costs, we may never taste joy, and if we are suspicious of ecstasy, agony can never reach us either. Joy and sorrow are the parents of our spiritual growth.
I sometimes think that perhaps our minds are too weak to grasp joy or sorrow except in small things...In the big things joy and sorrow are just alike - overwhelming. At least, we only get them bit by bit, in tiny flashes - in waves - that our minds can't stand for very long. p 199
I realised one day that men are emotional cripples. We can't express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.
I realised one day that men are emotional cripples. We cant express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.
Music is sound, vibrations, whereas paintings are vibrations of whatever you pick up. It's not actually an energy vibration you get from a groovy painting, but music and sound seem to travel along vibrations, you know the whole thing with mantras is to repeat and repeat those sounds... it's vibrations in everything like prayers and hymns.
Music begins where words are powerless to express. Music is made for the inexpressible. I want music to seem to rise from the shadows and indeed sometimes to return to them.
My inner world seems largely to consist of three rotating emotions: embarrassment, rage, and tension. Sometimes I feel excited, but I think that's just positive tension.
Our job as writers, as far as I can tell, is to attempt to express what seems inexpressible.
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