A Quote by Stephen Hunter

'Memoirs of a Geisha' is everything you'd expect it to be: beautiful, mesmerizing, tasteful, Japanese. It's just not very hot. — © Stephen Hunter
'Memoirs of a Geisha' is everything you'd expect it to be: beautiful, mesmerizing, tasteful, Japanese. It's just not very hot.
There's definitely a thin line between being tasteful and tacky. I feel like tasteful is very unique...it's not necessarily wearing a bunch of chains - that could be either tasteful or tacky. It just depends on how you wear them and what kind of chains they are.
I travel a lot. Japanese culture is very ancient and very strong. That's why most people who commission work from Japanese architects expect them to create works that have an element of exoticism, the kind typical of Japanese culture. I don't do that.
I have been presented with roles with demand not just a physical ability but mental disciplines as well. 'Memoirs of a Geisha' was not so much about physical exertion... it was much more graceful and contained than that.
I have been presented with roles with demand not just a physical ability but mental disciplines as well. 'Memoirs of a Geisha' was not so much about physical exertion...it was much more graceful and contained than that.
You know you can get gaudy with something, and they didn't do that. To me, I think it's very tasteful, well done, with the silver and gold and the engraving. I think it's very tasteful.
I make video art pieces, take photographs, and dabble in acting ever since my screen test for 'Memoirs of a Geisha' with Steven Spielberg. But music is my first love and always will be my priority.
Geisha because when I was living in Japan, I met a fellow whose mother was a geisha, and I thought that was kind of fascinating and ended up reading about the subject just about the same time I was getting interested in writing fiction.
The first rule that a geisha is taught, at the age of nine, is to be charming to other women...Every girl in the world should have geisha training.
I thought 'The Hot Zone' was fascinating, mesmerizing. It's one of the things that got me interested in Ebola.
Geisha is always called beautiful even if she is not.
She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel. Geisha is an artist of the floating world. She dances, she sings. She entertains you, whatever you want. The rest is shadows, the rest is secret.
The Japanese are virtuosos. They make just the little accent that makes all the difference. So much there is so beautiful - just a shop window display is a work of art. Just the way they make all kinds of things out of bamboo that are so ingenious. Just the way this little bamboo drain or latch is so beautiful. The masonry around the streams to hold the bank are beautiful - and not all one kind and not just cement.
Egolessness is contentment. Egoless, you don't expect anything, and just a small child smiles at you, but it is so beautiful. What else could you need? Suddenly you see a flower and the flower sends its perfume to you. What else could you need? What more could you want? The whole sky goes on filling with stars, the whole life becomes a celebration because now everything is beautiful. Without expectation everything fulfills - just to breathe is enough, just to breathe is such a bliss.
I see a lot of homes that are supercool, and everything is very tasteful, but it's not warm. I'm really scared of rooms that look too serious.
The best night of my life was watching the Japanese Noh theater. I've only seen it once, but even saying it now, I think, 'How can I ever have this experience again?' It was so mesmerizing, so complicated and so primordial; I could not believe it.
We have eyes, and we're looking at stuff all the time, all day long. And I just think that whatever our eyes touch should be beautiful, tasteful, appealing, and important.
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