A Quote by Stephen J. Cannell

A lot of making TV is lightening in a bottle. — © Stephen J. Cannell
A lot of making TV is lightening in a bottle.
'The Hangover' was lightening in a bottle. We're aware of that. It went through the roof all over the world.
The bottle is where everything sad or mean or confusing can go. And the blues--it's like that bottle. But in the bottle there's a seed that you let grow. Even in the bottle it can grow big and green. It's full of all those feelings that are in there, but beautiful and growing too.
To the bottle! In infancy, the milk bottle; in our prime, the wine bottle; in our dotage, the pill bottle.
By our very nature, we are a human paradox. We are a human being. The being is infinite and the human is very finite. We walk around like lightening in a bottle.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
Every time you drink an inferior bottle, it is as if you took a fine bottle and smashed it against a wall. You can't get that bottle back!
If I had a reed made of lightening I could blow the sax all night... I don't know where one would acquire a reed made of lightening but I would imagine that Bill Clinton has one.
There is no light in electronincs. There is lightening. But lightening is not real light.
I'd like to do more TV; TV is completely different than working in movies in a lot of ways, it's like making a really compact movie. Because you don't have as much time, especially hour long shows, they move so quickly.
Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.
But I want people to understand that poker's not all glamorous, it's not all being on TV and making tons of money. It's a hard life. It's a lot of travel. It's a lot of weird hours.
I had achieved a lot on TV and I wanted to do a film. And during that time I was told many that 'you are a TV star, when people can watch you for free on TV who will buy a ticket to watch you on screen?' I faced it a lot.
Stay up and listen to lightening. If there is no lightening around, stay up and listen to nothing. Just listen to the sheer joy of your thoughts trans-versing from one corner of your brain to the next.
When beetles fight these battles in a bottle with their paddles and the bottle's on a poodle and the poodle's eating noodles... ...they call this a muddle puddle tweetle poodle beetle noodle bottle paddle battle.
When will I learn? The answers to life's problems aren't at the bottom of a bottle. They're on TV!
The most expensive bottle of wine ever sold - a 1787 Chateau Lafite Bordeaux, supposedly once the property of Thomas Jefferson... It was sold at Christie's in London in 1985 for $156,000.00. Like a lot of high-priced art, the bottle is essentially undrinkable.
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