A Quote by Stephen J. Dubner

The Immaculate Reception became the Zapruder Film of sports. — © Stephen J. Dubner
The Immaculate Reception became the Zapruder Film of sports.
Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.
The last few years I became a lot more into sports. Growing up, the sports I liked were independent sports, like skateboarding. I was really into skateboarding, and not necessarily team televised sports.
My dream project is a sports film, because I love writing emotional music and a sports film is one of the few places you can do it without being melodramatic.
My life in Hollywood surrounded by celebrities became a point of view for me - sports, fashion, music, film, arts, and politics as a media play.
It's your living room, it's your life, go nuts. You like Home Improvement? Tape it and go over it like it's the Zapruder film.
Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
I could never be a sports writer, unless my assignment was to write 'sports sports sports sports sports' for three pages.
I love sports. Anytime I can combine sports with a film I'm a happy guy. It's such a natural fit, because sports always seems to be a metaphor for life. Always, always, always.
I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.
'Faces' became more than a film. It became a way of life, a film against the authorities and the powers that prevent people from expressing themselves the way they want to, something that can't be done in America, that can't be done without money.
We didn't know what the reception was going to be when we walked out on the runway, but it felt like we were in a rock band. People started cheering. It was a nice way to begin Zoolander 2, with that kind of reception.
Interpretation blocks reception while masquerading as reception. Rightness does not need interpretation; it requires simple acceptance and nothing else.
Inside me, 'Dragon Ball' became a thing of the past, but later, I got upset at the live-action film, revised the script for the anime film, and complained about the quality of the TV anime. I guess, at some point, it became a work that I like so much that I can't leave it alone.
I wanted to play Zapruder, as he is a man you really don't know much about: a faceless, anonymous figure.
After watching 'Dangal,' I called my writer and told him that I wanted to do a sports film for Punjab because no sports movies have been ever made in Punjab.
Normally as a director, you do look at other films and things that are relevant. But with this film, it became impossible because I became so aware of the camera placement.
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