A Quote by Stephen J. Dubner
What's really the driver of talent is not raw ability. It's not even just experience. It's what's called 'deliberate practice,' which is to say, if you do something a lot, you get really good at it.
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I think the most rewarding part of the job, and I think most coaches would say it, is practice. If you have it, a very good practice in which you have 12 guys participate, and they can really get something out of it, lose themselves in practice.
It can be hard to say if someone has a deliberate intent to defraud or if they are just really, really bad at their business. But even if people are unpublishable, it doesn't mean they should be ripped off.
People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
It's really amazing to be a part of something that people have an emotional response to, even though it's a network sitcom. When you get a chance to meet fans or interact with them, you realize that there are a lot of people who the show speaks to, and that they really get something out of it, beyond just laughing. That's really fulfilling.
I am a huge fan of movies. It is my favorite thing during downtime. I get completely lost in films. I find them transformative, even one that seems light and popcorn. I get something profound with the right music played with what I am watching. If there is good cinematography and good acting you can find something that really stays with you. I really enjoy being part of that collaborative process. I like making something really big that will be seen in a theater by a lot of people. There is nothing like it.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
One of the things that's really struck me at McLaren is just how much influence you have as a driver - I can test something in the simulator, or we can work on something in the cockpit, and they'll really listen to my input and, the next time you get in the sim, or the mock-up car, it's been changed at your recommendation.
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed.
Even to survive and have everyone in good health now is really precious. Bands half our age don't even get that lucky sometimes. It's good to practice gratitude, as they say. I used to be so ungracious, I wasn't even aware that I should be feeling grateful! Now I actually try and put it into my daily thought: Be grateful. It's not always so easy.
You really can have your dreams and at the same time have a family. But it has to be a really deliberate practice.
I have to say: We were looking at all of Native American actors, who mostly all work under one casting director. And there's so much talent to be cast. There really is. We saw some really good readings. There's more talent to be had there.
Some people seem to have extreme natural wiring - a talent that seems to come out of nowhere. Like a music savant or prodigy. The uplifting news, though, is that many talented people don't have such natural wiring - but they forge a talent through thousands of hours of what's known as deliberate practice or deliberate performance.
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