A Quote by Stephen J. Dubner
'Freakonomics' began with a 'N.Y. Times Magazine' profile I wrote about Steve Levitt. I was working on a book about 'the psychology of money,' and since Levitt's an economist, my editor thought I'd be the guy to write about him. Fact is that Levitt has almost no interest in either psychology or money.
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I don't know when we made [10 Things I Hate About You] that we ever thought it would last in popularity as long as it has, but I think that speaks to the strength of the bond of the cast when we were making it. I think you can tell that we adored each other and that we were real friends. To this day, Joe Gordon-Levitt is a good friend, and obviously Heath [Ledger] was a great guy.
Of my four marriages, the one to Bob Levitt is the only one I don't regret.
Of my four marriages, the one to Bob Levitt is the only one I don't regret
I was in a pharmacy and I saw the warnings on the backs of poisonous substances, and I thought, "Well, that's what I can do." So I wrote a list of ingredients in the book, and warnings that they shouldn't consume those ingredients. The editor and the publisher thought that it was a great way to go in terms of reverse psychology, but it honestly hadn't occurred to me that it was reverse psychology. I just thought that it was sort of an honest assessment making clear that if you were timid or easily disturbed, you could turn away.
I want the scripts Leonardo DiCaprio doesn't have time for. Joseph Gordon-Levitt isn't available? Call me.
Levitt admits to having the reading interests of a tweener girl, the Twilight series and Harry Potter in particular.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
Great Expectations [book by Charles Dickens] has been described as "Dickens's harshest indictment of society." Which it is. After all, it's about money. About not having enough money; about the fever of the getting of money; about having too much money; about the taint of money.
Until the early 90s, when I was working on a project about the idea of free will in American philosophy. I knew that Lincoln had had something to say about "necessity" and "fatalism," and so I began writing him into the book. In fact, Lincoln took over. I wrote instead 'Abraham Lincoln: Redeemer President,' in 1999, and I've splitting rails with Mr. Lincoln ever since. If there's a twelve-step process for this somewhere, I haven't found it yet.
My favorite actor that I look up to is Joseph Gordon-Levitt. His career is something I look up to, I just want to be that guy. He's always part of projects that have a lot of soul and that's what I want to do as an actor.
I hate the stereotype of the pitfalls of the child actor. There are so many amazing examples - Natalie Portman, Joseph Gordon-Levitt, Jodie Foster, Drew Barrymore - of people who have made it through.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I wrote a script - a script about a guy working on the automobile assembly line; I never could get money for that. I did a pilot about minimum wage workers for HBO that didn't get picked up; they thought it was depressing, even though it was a comedy.
Filmmaking isn’t if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it’s about. It’s not just about getting a performance. It’s also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window.
Joseph Gordon-Levitt's career is kind of how I want to create my career. He's very involved with his recording and production company and also worked on some really great projects.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
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