A Quote by Stephen Jackson

Being from the South, I was really into Southern rap, but I listened to a lot of stuff from all over. — © Stephen Jackson
Being from the South, I was really into Southern rap, but I listened to a lot of stuff from all over.
I've always been a fan of music. I listened to a whole lot of oldies - I never really listened to rap music that much.
My dad and uncles listened to a lot of rap. My dad is a big fan of LL Cool J. Driving in the car with him, we'd listen to Jay-Z and Nas. My sister listened to a lot of No Limit, so I listened to Master P. and Cash Money - Lil Wayne and Juvenile. They had jewelry and nice cars. I was drawn to them.
I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
I never really thought I was going to be a singer, honestly. I never listened to singers; I always listened to rap music.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
Coming from the South and growing up in L.A. where it was so segregated - worse than the South in many ways - all the people in my neighborhood were from the South. So you had that Southern cultured environment. The church was very important. And there were these folk ways that were there. I was always fascinated by these Southern stories, people would share these mystified experiences of the South. I wanted to talk about folklore.
I like health-conscious cooking, but growing up in the South, I do love southern cooking; southern France, southern Italy, southern Spain. I love southern cooking.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
William Ferris has long reigned as the unimpeachable source of the entire southern experience. His work on southern folklore and the composition of the Encyclopedia of Southern Culture have made him both legendary and necessary. His book, The Storied South , is a love song to the South Bill helped illuminate. It's a crowning achievement of his own storied career.
My goal for the rap game is just to make a lot of really dope music. That's really where I keep my mindset at: Just being obsessed over making something crazy and new every day.
My mum listened to stuff like Alanis Morissette and Tori Amos, but she also listened to a lot of '80s stuff like Heart. I still quite like Heart.
My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.
I listened to a lot of old school, golden era music. It gave me a lot of insight on how to rap and give my all.
Coming into this, making music, I knew that was something that was going to be held over my head. Okay we get it, you're openly gay, but do you know how to rap? Can you really rap and deliver? And I feel like I have that pressure put on me that other artists don't. A lot of people don't have to focus on being so lyrical and actually putting on shows. Before anyone was gonna tell me I was bad, I was gonna prove that I was good.
'South Pacific' - I really learned a lot. I swear I like to say that during 'South Pacific,' I went from being a girl to being a woman.
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