A Quote by Stephen Jay Gould

We must shed the old stereotype of anarchists as bearded bomb throwers furtively stalking about city streets at night. — © Stephen Jay Gould
We must shed the old stereotype of anarchists as bearded bomb throwers furtively stalking about city streets at night.
The great trains howling from track to track all night. The taut and telegraphic murmur of ten thousand city wires, drawn most cruelly against a city sky. The rush of city waters, beneath the city streets. The passionate passing of the night's last El.
The bomb-throwers have discredited the cause of freedom, in whose name they threw the bombs.
You know that old Beach Boys song, Bomb Iran? Bomb bomb bomb, bomb bomb Iran.
When you have been just told that the girl you love is definitely betrothed to another, you begin to understand how Anarchists must feel when the bomb goes off too soon.
I wish to say that we Anarchists have never changed our position. We are Anarchists as of old and still pursue the same ideals.
We must therefore turn to history for enlightenment; here we find that none of the proclaimed anarchist groups correspond to the libertarian position, that even the best of them have unrealistic and socialistic elements in their doctrines. Furthermore, we find that all of the current anarchists are irrational collectivists, and therefore at opposite poles from our position. We must therefore conclude that we are not anarchists, and that those who call us anarchists are not on firm etymological ground, and are being completely unhistorical.
Physically stalking as opposed to Instagram stalking, which was kind of great. Leila [from Fifty Shades Darker ] puts my Insta stalking into perspective.
Dark City Blue is a freight train of a thriller crashing through some madhouse city night while a bomb's ticking down to zero. It's the cage fighting equivalent of a police procedural: violent, gaudy, and packing heat.
There are Anarchists in other parts of the world who are unable to, comprehend the position of the Spanish Anarchists. I do not pretend to censor these Anarchists.
I told him there was one city that they must not bomb without my permission and that was Kyoto.
Walking on these streets, until the night falls, my life feels to me like the life they have. By day they’re full of meaningless activity; by night, they’re full of meaningless lack of it. By day I am nothing, and by night I am I. There is no difference between me and these streets, save they being streets and I a soul, which perhaps is irrelevant when we consider the essence of things
Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.
The British bombed German cities [during World War II] to keep the workers awake at night. So instead of dropping one bomb, we sent a thousand planes and, yes, we took out the factory sometimes, but we also took out the city. It reached the point where we wanted more efficient ways to destroy a city. The result was nuclear weapons.
What helps me is watching other people negotiate loss. I think about how we dropped a bomb on people in Hiroshima and 150,000 people were killed in one night. Those people had to mourn and they had to rebuild their city right away.
I'm absolutely loving Turin's old, historical-city vibe, with the narrow, cobbled streets.
There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
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