A Quote by Stephen Jay Gould
Contrary to current cynicism about past golden ages, the abstraction known as 'the intelligent layperson' does exist - in the form of millions of folks with a passionate commitment to continuous learning.
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You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted.
The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time? Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world?
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
You can’t run away. The past will be only too happy to chase you —- in absolute, complete, and total earnest. Do you know why? Because they’re lonely. The past and memories are very lonely things. I don’t believe in God. Because he doesn’t have a fixed form. The past certainly does exist, even in a world where the future doesn’t have a fixed form. Even if it’s being colored by misunderstandings and delusions, a person’s past can’t be anything but the truth as long as he believes in it. If that’s what you base your actions or your way of life on, isn’t that like being god?
Philosophy does not exist. It is nothing but an hypostatized abstraction.
I don't have a past. I have a continuous present. The past is part of the present, just as the future is. We exist in time.
The more successful you are, the more you need to learn and grow. Your commitment to learning has to be continuous and unrelenting.
I always wanted to play with people's hair. I was really into 'The Golden Girls' and how big their hair was. I always had Barbies and Ken dolls, whose hair I wanted to play with and was always styling. I was very lucky - I never had to wonder what I was passionate about. I've always known that I'm really, really passionate about grooming.
For contemplation is both the highest form of activity (since the intellect is the highest thing in us, and the objects that it apprehends are the highest things that can be known), and also it is the most continuous, because we are more capable of continuous contemplation than we are of any practical activity.
I love things that are brave enough to be nakedly about what our lives are actually built of, when you're wild about someone, or you love something, or you're a fool, or you embarrass yourself. And I don't think the answer is cynicism. Cynicism is not the cure for sentimentality. Cynicism is its own form of sentimentality. For example, I tried to watch Breaking Bad. After three episodes, I thought, I don't like this guy. I don't care about him. But you can see why people tell themselves that they think this is real. But real doesn't mean bad.
But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past - or more accurately, pastness - is a position. Thus, in no way can we identify the past as past
In past times when one lived in contact with nature, abstraction was easy; it was done unconsciously. Now in our denaturalized age abstraction becomes an effort.
Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.
She was so intelligent that she could think herself into beauty. Intelligence...they don't talk about it much, the poets, but when a woman is intelligent and passionate and good.
I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous.
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