A Quote by Stephen Kanner

When you feel the architecture just click, as though it couldn't have been anything else, it's due to a true understanding of the site and the plan and section. — © Stephen Kanner
When you feel the architecture just click, as though it couldn't have been anything else, it's due to a true understanding of the site and the plan and section.
For me, while writing I am an engineer, so if I decide to change the format, I want to add a section, to move a section, reorganize the section, anything I want to do, I just boot words, and I do what I want to do. So, I feel completely empowered when I'm a writer.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
Good information architecture enables people to find and do what they came for. Great information architecture takes find out of the equation: the site behaves as the visitor expects. Poor or missing information architecture neuters content, design, and programming and devalues the site for its owners as well as the audience it was created to serve. It’s like a film with no director. The actors may be good, the sets may be lovely, but audiences will leave soon after the opening credits.
Justice, though due to the accused, is due the accuser also. The concept of fairness cannot be strained till it is narrowed to a filament. We are to keep our balance true.
I wait for the next opportunity to have something to do with food. If I get rested, my mind just starts creating new dishes - click, click, click.
And it is very moving because one has to see the site not as just another site of development but it is a very special site. It is a site that souls and hearts of all Americans.
I try to transmit emotion and soul in my voice, but my true passion has always been writing. I feel more like a writer than anything else.
Mercy Corps' partnership with The Hunger Site translates into lifesaving assistance for people in tremendous need around the world. When you visit, click, and shop at this unique site, you're making the future a little brighter for families who need food in the world's poorest places.
I have an interest in architecture, although more theoretically than anything else. I think architecture tries to understand what the body wants to occupy, not the body itself.
Architecture is bound to situation. And I feel like the site is a metaphysical link, a poetic link, to what a building can be.
I learned in architecture that you have to have a real plan. You have to have a client, they have to have distribution, start-up money, and have a vision of where it's going to go. All this has to be settled before you start, or else your work is just a story.
One of the most persistent yet elusive dreams of the Modern Movement in architecture has been prefabrication: industrially made structures that can be assembled at a building site.
The decision for me was whether to have 'The Father' be a book that told a story - from the point of view of this speaker, the daughter - without, as in the earlier books, then having a section on something else and a section on something else.
To look at the cross-section of any plan of a big city is to look at something like the section of a fibrous tumor.
Doing anything in Japan as a sort of architecture - related project is just fantastic because they do everything so perfectly and so quickly. It's unlike anywhere else in the world.
My first record was made in Termonfeckin, which is a small town on the north-east coast of Ireland. I had been in London, but it didn't click. So, at home, I didn't think about making something, just whether something could be made. There was no grand plan.
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