A Quote by Stephen Karam

Writing plays for me is often an act of looking at basement-level fears in terms of where they come from. — © Stephen Karam
Writing plays for me is often an act of looking at basement-level fears in terms of where they come from.
I often wonder if my being a fairly small Asian woman with a high-pitched quietish voice plays a role in how often men feel entitled to come up to me and tell me, 'You have this doll act,' or whatever.
Ever since I was 7 years old, I was writing. I remember being in the basement of my house, this dank, horrible basement, putting on plays with not-very-willing participants, and I would promise kids in the neighborhood that I'd play Nintendo 64 with them after we'd rehearse this stupid play that I wrote.
As a kid I was always writing and directing plays in my basement with my neighborhood cronies. But please don't get me wrong, I have zero regrets when it comes to the acting stuff. I think it's made me a better director.
Writing for me is an ongoing practice of facing and countering fears. And so, in that sense, I have always been responding to phobias. I am often most surprised by the writing that comes from facing fears that strike closest to home, poems that explore internalized phobias about gender identity, sexuality, and the body, poems that struggle with a question like do I deserve love?
For me, writing plays is far more an act of the mind than of the emotions. It's a very different kind of impulse than fiction writing.
When we usually think of fears, in comics or in films, it's most often fears on a relatively superficial level: fear of murderous insects, of ghosts, of zombies, or even fear of dying.
It's amazing to know that 5 years ago I was writing songs in a basement in the ghetto and now I'm writing for Michael Jackson. I'd be a fool not to say it's a dream come true.
I often don't say things out loud, even when I should. I contain and compartmentalize to a disturbing degree: In my belly-basement are hundreds of bottles of rage, despair, fear, but you'd never guess from looking at me.
There are two kinds of fears: rational and irrational- or in simpler terms, fears that make sense and fears that don't.
I don't consider writing a quiet, closet act. I consider it a real physical act. When I'm home writing on the typewriter, I go crazy. I move like a monkey. I've wet myself, I've come in my pants writing.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe.
God is looking for imperfect men and women who have learned to walk in moment-by-momen t dependence on the Holy Spirit. Christians who have come to terms with their inadequacies, fears, and failures. Believers who have become discontent with 'surviving' and have taken the time to investigate everything God has to offer in this life.
Young actors ask me for advice. They say, 'Should I get an agent?' I tell them, 'Don't worry about that. Act, act, act. Get into that production of 'The Three Sisters' in a church basement. Consider every audition a chance to act, even if it's just for three minutes. Just do it whenever and wherever you can.'
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
I remember writing monologues and one-act plays and stuff in high school. I had a project in English that was just a short book of limericks. It was so weird. I enjoyed the challenge and rhyme of it. I was always putting on plays and stuff.
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