A Quote by Stephen Karam

I like going absurd pretty quickly. You don't waste any time when you're doing theater of the ridiculous. — © Stephen Karam
I like going absurd pretty quickly. You don't waste any time when you're doing theater of the ridiculous.
We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?
No matter what happens, the world can be pretty ridiculous and people be pretty ridiculous, but how would you react? That's an easy filter to put any story through.
Acting has been my passion from the minute I started. I was pretty young when I wanted to be a doctor, but when I started doing theater work as a freshman in high school, the first time I hit the stage I was like, If I can do this every day, life won't get any better!
I feel like I prefer movies, but, at the same time, theater is so exciting when you're doing it. It's a harder job doing theater.
In this league, if you're going to be tested, you have to answer quickly. I feel like if you show signs of weakness, people attack that pretty quickly.
This loving person is a person who abhors waste - waste of time, waste of human potential. How much time we waste. As if we were going to live forever.
As a fan, when I hear that a film is going to be turned into a television show, I do go to that place immediately of, 'Is it going to be any good? Is it going to be a waste of time? Why are they doing it?' It's '12 Monkeys,' and '12 Monkeys' is awesome, so I wanted to be a part of it and work on it.
You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
People are going to say some pretty ridiculous things all the time.
Basically it takes me very little time to write a song. If I find myself taking more than an hour to do it I usually forget it, and try something else. I like to work quickly; I never like to waste any time. I never write half a song and come back to it later at all. It all has to be done at once. I lose interest if it doesn't.
I really enjoy doing theater, but doing theater in Seattle is like dropping a brick in a bottomless well. It's gratifying, but it's almost like doing radio. It's ephemeral.
You learn more quickly under the guidance of experienced teachers. You waste a lot of time going down blind alleys if you have no one to lead you.
That's your doing. Now in order to affect that doing I am going to recommend that you learn another doing... It may hook you to another doing and then you may realize that both doings are lies, unreal, and that to hinge yourself to either one is a waste of time, because the only thing that is real is the being in you that is going to die. To arrive at that being is the note-doing of the self
I'm pretty moral about what I do. If I didn't think I was worthy of doing something, I wouldn't do it. I ain't gonna waste a bunch of people's time.
I waste at least an hour every day lying in bed. Then I waste time pacing. I waste time thinking. I waste time being quiet and not saying anything because I'm afraid I'll stutter.
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