A Quote by Stephen Karam

I think 'Speech & Debate' surprised people because it's a play about teenagers that took the teenagers very seriously. They are very real. People wanted to see if they identified with one of the kids, that loneliness, that yearning for something bigger. That feeling of being stuck, it's very adolescent, but those kinds of feelings linger on.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
I think teenagers in the States grow up too fast. In Canada, kids are exposed to different things. Like school is very different; it's not nearly as social. Canadian teenagers see it as a much more serious place.
'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.
'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
I think there's a level at which you think that there's a reason that you're being singled out, that you're being chosen. As a kid, I was always mistaken for a girl. Before you reach that age where your sexuality starts to display itself, kids can look very androgynous, and I guess I leaned more toward the feminine. All those things were very hard, growing up, because you're trying to create an identity, and you're feeling shameful about the one that you're making. So, I identified with it a lot.
I took the test for AIDS. I began to hate people who were not sick. Those people are monsters, I would think, believing that they are well because of moral superiority, because they are good. I identified with the loneliness of the sick. I felt that there was something pure about them.
I think people discredit teenagers and how wise they can be. Sometimes I meet teenagers who are much wiser than many adults I've met, because they haven't let any insecurities or doubts about themselves get in the way of their thoughts.
I find it very, very hard. He was part of the fabric of my life. We were kids together, and teenagers. We spent the whole of our lives with each other because of our music.
I think it's ridiculous to try to sell records to teenagers, because teenagers don't buy my records. And there ain't that many teenagers out there in the marketplace.
I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stupid.
I find it really offensive when people say that the emotional experiences of teenagers are less real or less important than those of adults. I am an adult, and I used to be a teenager, and so I can tell you with some authority that my feelings then were as real as my feelings are now.
In the kids' home I was in, there was very little change of staff. People stuck around, and they stuck around because they were being paid enough to stay there and raise their families. If you're not supporting the people looking after the kids, you're not supporting the kids, and you might as well chuck them all in the bin.
It puts a smile on my face to see all the children, and all the teenagers, and the adults - the demographics - it makes my heart very, very happy. I love them. I love all the fans, very much.
I think that it is very interesting to write about a team because a team is a group of people who work in very close quarters and have very intense relationships so - in my days of playing sports, I was very rarely on a team that did not have it's own peculiar dynamic, and you wind up having very intense feelings for good and for bad about these people with whom you spend many hours a day.
First of all, a giant corporation probably shouldn't be being hacked by teenagers. I put that on the corporation, not the teenagers. Teenagers are going to do what teenagers are going to do - rebelling. But if they're able to hack a big corporation, that seems like the corporation should be better at security.
I wanted Jesus in 'A.D.' to be very, very, very human - to have those qualities of vulnerability and doubt and pain and sadness and loneliness. Once the resurrection happens and we see that Jesus has risen, it's almost complete, right? It's all about the joy and the smile and the happiness and the closeness to the disciples.
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