A Quote by Stephen Karam
I don't go into rehearsal for a production unless I've figured everything out.
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On a TV show, for instance, dancers have to be paid for a week and a half rehearsal time. So unless they're vital to a production, they're just not used.
You can't be afraid to not have everything figured out. There's too much pressure on young people today to have it all figured out when they're in college.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
There's pre-production, and the second part is when you start rehearsal. Pre-production was a very large learning curve for me.
There was no model how to make a documentary production company work. I figured it out as I went along.
You work with each individual actor as you perceive their needs to be. It's something that you've figured out in the weeks of pre-production.
Actors play a small part in all the things that go into the making of a movie. I want to know about pre-production, post-production, shot divisions - everything.
Faith isn't about having everything figured out ahead of time; faith is about following the quiet voice of God without having everything figured out ahead of time.
I used to fall hard when I was younger, and it occupies a lot of journals and redundant preoccupation and analysis. It is a state in which you are in an overheated fervor of production - of mental production - where you're analyzing everything that happened. And what they said! And how they looked! Did that touch mean something, or not? Everything is sort of endowed with meaning, but you're also hopelessly boring and out of the world.
Yeah, musically, from a production standpoint my favorite is probably 'Have a Little Talk with Jesus'. Just the way it turned out production wise with the clarinet and everything, it sounds like something from a movie.
I can remember in second grade coming back from school and telling my mom, 'You know what, before I play in the NBA, I want to go to Stanford.' Because of her, I had everything figured out.
Next time I do a play, I want to go out of town. I don't like the idea of opening in New York. I don't have to do theatre, but if you're going to do it, you should do it well. These days, everything has to be up and running in five minutes. As a result, the rehearsal time is missing.
I'm a kid who did stock and summer youth theater where we'd put up two shows and you had no rehearsal. I've also understudied, where I've had to go on with no rehearsal.
This idea of universal access to basic healthcare has to be figured out as a world. No country has figured it out in part because it is driven by ideology.
There are things about the production I'm not crazy about though. People mix records to be heard in cars and to have the bass incredibly loud so the vocals have to fight with everything so there's no dynamic left, and that's kind of a bummer. That may not be my taste but I'm not going to go, "Kanye's not very good," because he's pretty badass. It's a difference in taste, like the New Pornographers and myself have different taste in production as well but it all works out in the end.
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