A Quote by Stephen Karam

In terms of smaller changes over time, I think good plays are like poems. Every syllable counts. So I wrestle with word choice, rhythm in final drafts. — © Stephen Karam
In terms of smaller changes over time, I think good plays are like poems. Every syllable counts. So I wrestle with word choice, rhythm in final drafts.
Everyone's taste is different. But I think the best way to defend against regrets after opening night is to try your best to tell the story you want to tell. In terms of smaller changes over time, I think good plays are like poems. Every syllable counts.
I'm still learning so much with every play I write. So I wrestle with word choice, rhythm in final drafts. I think you have to be ruthless.
This is the feeling for syllable and rhythm, penetrating far below the conscious levels of thought and feeling, invigorating every word.
Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time.
Every second a seeker can start over, For his life's mistakes Are initial drafts And not the final version.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
Simply stated, testimony-real testimony, born of the Spirit and confirmed by the Holy Ghost-changes lives. It changes how you think and what you do. It changes what you say. It affects every priority you set and every choice you make.
I sometimes wish I had a good 'one syllable, one syllable' name, like Brad Pitt.
You have a choice. Live or die. Every breath is a choice. Every minute is a choice. Every time you don't throw yourself down the stairs, that's a choice. Every time you don't crash your car, you re-enlist.
Are you going to be able to shave your legs? Are you going to be able to get married? So it was constantly thinking about both choice in terms of possibilities - I mean because choice is the thing that is supposed to enable you to be whatever it is you want to be - and yet, at the same time you have to think about choice in terms of its limitations.
But in love each moment is magnified, and every gesture, word and syllable is examined like a speech by the President.
It's funny because you know the novel process: you get the drafts, you get the galley, and then you get the galley proofs. You have opportunities to change things all along. But the further along in the process you go, the more careful you have to be in making those changes, and the smaller the changes have to be.
In the beginning was the Word. It doesn't say in the beginning was God. In the beginning was the Word because in the very beginning of every moment of time and space your word counts. Your whole destiny is written in the Word.
Every time we give our word, it counts. For the most part, people give their word entirely too often. Our word is a precious commodity and should be treated as such.
I don't want to justify religion in terms of its benefits to us. I believe that, on balance, it does a lot of bad things, too - a tremendous amount. But I don't think that the final justification of religion is the good it does for people. I think the final justification is that it's true, and truth takes priority over consequences. Religion helps us deal with what is most important to the human spirit: values, meaning, purpose, and quality.
Football is more disputed in England than it is in Italy. Every match is a very hard match because the referee doesn't blow his whistle as much as in Italy, and every team plays against each other like it is a final. I enjoy it more in England because you have to think quicker. The pace of the game is faster, so you don't have much time to think.
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