A Quote by Stephen Kendrick
With Courageous, it was the first film where we really began to pay our cast. Because the church owned the previous films and we started so small, with such small budgets, people were just volunteering on the cast and crew.
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It's important for us to certainly cast some Christian actors who can speak to our audience when we market the films, but obviously we don't discriminate. So our crew and our cast, the beliefs don't really matter.
I have done a lot of short dramas that are three, four or five episodes and so that makes the filming process similar to the independent film process; it is very intimate, and it is a small cast and a small crew and everyone is there with a common goal and want the best for that project.
I miss the cast and crew of Supernatural immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
I miss the cast and crew of 'Supernatural' immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.
By the time we got to Courageous, we were bringing in more outsiders, so any time we would bring in outsiders, we would offer to pay them, and [as for volunteers from] the church, because they were getting the benefit of the income to all the ministries of the church and the mission, the building program and all those things, they knew up-front that they were volunteering and gladly did so.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
You need someone who has a really good way of enabling trust in the cast and crew, or the cast particularly, to allow them the confidence to stretch themselves to get the performance that you're going to need to provide all of the emotional up and downs in the film.
My films are about faith, and they're made on faith. There has to be faith because making a movie, so many things can go wrong. Me and my crew take the leap together, trusting the net will appear. I've been fortunate even though I've worked with small budgets, people have donated time and talent because they feel the films have something important to say.
Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
It's really cool when the thing you are working on as a small team gets embraced by millions, but in the end, it's about your character and the script and your director and the rest of the cast and crew.
I am a pathetic and gushing Nick Hornby fan, and I wanted to be in High Fidelity, and I wanted to be in About A Boy, and those two directors - one who's a dear friend, and one who has never cast me in anything, despite my pleading... So there was another Nick Hornby script going around being cast by a friend of mine, and she said, "There's a very small role in it, but you'd be right for it." I was like "I don't care how small, I'm going to be in this Nick Hornby film."
The first two actors we cast were Patrick Stewart and Ian McKellen. Because we started so highbrow, we were able to get anyone. Plus, some of these people have children, and their kids love 'X-Men.' They'll do it because of them - that's our little extra ace in the hole.
I don't tend to get cast in the theatre much. People assume I come with all this baggage. But they do cast me in films. In films, I'm a nobody.
Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.
When we first started our internet company, 'China Pages', in 1995, and we were just making home pages for a lot of Chinese companies. We went to the big owners, the big companies, and they didn't want to do it. We go to state-owned companies, and they didn't want to do it. Only the small and medium companies really want to do it.
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