A Quote by Stephen King
The scariest moment is always just before you start.
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For me, the scariest moment is walking on set before we shoot the first shot, and I am so anxious. It's a lot of pressure, and it's scary, and I don't think that fear ever goes away.
I always start with emotion. That's where I start all of my improvisations, on the piano. I always start with the mood or the feel of where I am in that moment.
We are seeing, then, that our experience is altogether momentary. From one point of view, each moment is so elusive and so brief that we cannot even think about it before it has gone. From another point of view, this moment is always here, since we know no other moment than the present moment. It is always dying, always becoming past more rapidly than imagination can conceive. Yet at the same time it is always being born, always new, emerging just as rapidly from that complete unknown we call the future. Thinking about it almost makes you breathless.
Before I start painting I have a slightly ambiguous feeling: happiness is a special excitement because unhappiness is always possible a moment later.
I love standing up behind the blocks, and I love that moment just before you dive in and it goes quiet, and you take a deep breath and you just dive, and then you try and win, but that moment just before I go, that's why I race.
The bit that I've always loved about modeling is show season: the hype, the chaos, the calm just before you walk out. It's your moment - especially when there's no one before you.
Whatever connection we thought we had before this...it doesn't compare to this moment. No matter what happens between us in life, this moment has just merged pieces of our souls together. Well always have that, and in a way it's comforting to know.
The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.
I know it's good when I see a smaller film get recognized because it means more publicity for them. Any way to get the word out, I'm just learning about this. The end of this distribution sentence is the scariest part, which is when you start producing and directing. Now the movies are a little more like your children. You now spent years of your life and then it just dumps in one day and you think what happened? It doesn't always happen.
I think the moment you start trying to please a fan base is when you start going downhill. I'm going to always, always write about what I want, even if it doesn't necessarily cater to most of them.
When I'm the speaker, I know that special moment [just before speaking] is the only time I will have the entire audience's full attention. Unless an alien spaceship crash-lands on stage midway through the talk, the silence before I begin is the most powerful moment I have. What defines how well I'll do starts with how I use the power of that moment.
It is a little known fact that truth cannot be memorized. Truth has to be discovered now, from moment to moment. It is always fresh, always new, always there for the still, innocent mind that has experienced life without needing to hold on to what has gone before.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
Everyone on the grid gets nervous before a Formula 1 race. It's just how you manage it. It's impossible not to be a bit nervous before a Formula 1 start or even before a World Series start. You have nerves. The thing is, you know how to control them.
I'm never happy with what I've written. You imagine, before you start, there's a cathedral, and the moment it starts on the page, it's a garden shed. And then you just try to make it the best shed you can.
The moment a student blinks his eye, he's already way off. The moment he tries to think, he's already differed. The moment he arouses a thought, he's already deviated. But for the man who understands, it's always right there before his eyes.
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