A Quote by Stephen King

Anything with the power to make you laugh over thirty years later isn’t a waste of time. I think something like that is very close to immortality. — © Stephen King
Anything with the power to make you laugh over thirty years later isn’t a waste of time. I think something like that is very close to immortality.
I don`t understand a belief that there is an invisible being in the sky who watches over us all the time and keeps score and who throws you in a burning pit. I think that's very limiting, very antihuman. It's the way they devised for helping to control people because if they can make you believe in an invisible man who's going to hurt you later, they can make you believe anything!
Actually, to be an effective person politically in this country, I think you have to be thirty or over, and also you have to be rich, well-placed, you have to be close to power. And I don't think that young people, because they look young, can do much, as I think they are counterproductive.
My attitude towards my time as a musician, is that I really wanted to completely reinvent myself and not be one of these people who, twenty, thirty years later, is trying to recreate something that happened. I'm glad that Neil Young still makes records, but I don't know that everybody needs to be frozen in time forever. I think it's good that pop music is ephemeral.
The first thing I learned as a producer is that you have very little control over the life of a project. Anything can stall a film from financing to scheduling to casting. Things fall apart all the time. Don't waste time on something that just won't get made. Try to have as many projects going at one time as you can handle.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
To me the biggest waste of time is commuting. First, there is no place that is less than a two-hour commute from New York. You can be half a mile outside of the city limits; you're two hours away by car. I don't care how close they tell you it is. "Oh, it's only thirty miles." Thirty miles? At 8:30 in the morning, thirty miles outside New York, you might as well be starting out in Omaha.
I waste at least an hour every day lying in bed. Then I waste time pacing. I waste time thinking. I waste time being quiet and not saying anything because I'm afraid I'll stutter.
Really, we don't know what to make of it except that we're delighted about it. We have all these fans thirty years later and they're still around and will probably be around for a long time to come.
I think a lot of people try to plan things in their career. They feel like, If I don't get this done by the time I'm thirty, everything's over. But I've worked with a lot of people whose careers shot to the top later in life.
I do not like to talk about the future. I don't like to be one of those people. It's so easy to have a very vague idea and say, oh, computers will be 3D-ish and then 10 years later I'll say I predicted it 10 years ahead. I don't think that's honest and I don't think that's valid and worth anything.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
Life is very tough, you know. You sit at a dinner party and talk to the person on your right or your left, you're going to hear something terribly sad, or horrible, or awful. And you just laugh at everything. I think it was Winston Churchill who said something like, any time you get someone to laugh, you're giving them a little vacation. It's so true. You laugh for one second, you're happy. I find in negotiations, everybody's sitting around looking so serious, I say something funny and it breaks the ice. And it's like, now we can get through this.
Over and over in the play my character says, "I'm thirty-two years old," as if that should explain everything that's wrong in her life. I don't know what it's like to be thirty-two, but I can imagine. I imagine she means she's stuck in an in-between time, she's at an age that isn't a milestone but more of a no-man's-land, an age where she's feeling like her hopes are fading.
If you don't start your career until thirty, that still gives you thirty-five years to make it professionally. If you can't make it in thirty-five years, you weren't going to make it in forty or forty-five.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
Basically it takes me very little time to write a song. If I find myself taking more than an hour to do it I usually forget it, and try something else. I like to work quickly; I never like to waste any time. I never write half a song and come back to it later at all. It all has to be done at once. I lose interest if it doesn't.
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