A Quote by Stephen King

For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.
I look at you, angel, and I want you so badly. I want to be with you, listen to you, talk to you. I want to hear you laugh and hold you when you cry. I want to sit next to you, breathe the same air, share the same life. I want to wake up to you like this every day forever. I want you.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
You know, when everybody starts to live from their heart, and go for what they want, they don't go for the same things. That's the beauty of this. We don't all want BMWs. We don't all want the same person. We don't all want the same experiences. We don't all want the same clothing. We don't all want ..... fill in the blank
Our bodies, speeches and minds need to be trained so that they will do anything we want. We can cry or laugh at once when we want to. Then it will be a natural response; we will cry when it is time to cry, and laugh when we should laugh. Do you understand? We can get angry when necessary; we can be gentle if we have to. We will completely become our own master. Then, no matter what we want to do, it will benefit the world. It is not difficult to attain this stage; all we need to do is to mediate.
Talk. We are going to talk first. I want to see you smile and laugh. I want to know what your favorite show was when you were a kid and who made you cry at school and what boy band you hung posters of on your wall. Then I want you naked in my bed again.
I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
I don't want to be entertained. I don't want visuals or musicals. I don't want a vacation. I don't want to quit. I don't want sympathy. The cry of my heart is 'Just Give Me Jesus.'
Sometimes the fans want it both ways, of course. They want to feel like they're influencing the show, and at the same time, they want to think that showrunners have the story all mapped out in our brains. But it can't be both. In truth, we were usually far ahead of the fan feedback.
There's times when you're by yourself and you want your girl around or your kids around. You just need somebody around. And other times, boxing makes you feel like you want to be by yourself. You get emotional. That's why after some wins, I cry. Even in my losses, I cry. Because I know how hard I work, and I always want to be victorious.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
Much of an editor's job is in fact pretty nanny-like in nature: in many ways, you're there to protect and defend, to reassure and clean up. What I ask from writers is respect. I want them to respect me enough to turn in a clean draft. I want that draft to be as good as they can make it. I want to feel the thought behind those words. And I want it to be turned in on time. It drives me wild when I get a story that's obviously slapped together, and the same can be said for a manuscript; you should respect your reader enough to give her something that reflects your best efforts.
It's funny: when I go to a school and speak, and when they hear the back story about me, they want to go read the book.
My Heart I'm not going to cry all the time nor shall I laugh all the time, I don't prefer one "strain" to another. I'd have the immediacy of a bad movie, not just a sleeper, but also the big, overproduced first-run kind. I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera, often. I want my feet to be bare, I want my face to be shaven, and my heart--you can't plan on the heart, but the better part of it, my poetry, is open.
What is so weird is that young people who want to be 'celebrities' do not want to put in the hard work. They don't want to do the training, go to drama school, read Shakespeare, try different accents and study technique. They just want to be famous. It is not just in England; it's the same in America and all over Europe.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
Know what is in your heart. But definitely go to school and learn as much as you can, and if wrestling is still what you want, find a good wrestling school and kind of learn as much information about it as you can. If I did it, this tiny thing, anyone can do it.
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