I confess that I cannot understand how we can plot, lie, cheat and commit murder abroad and remain humane, honorable, trustworthy and trusted at home.
Most short stories have but one plot. The very best, however, have what I call a plot-and-a-half – that is, a main plot and a small subplot that feeds in a twist or an unexpected piece of business that ads crunch and flavor to the story as a whole.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I learned to work on a computer years before I was placed under house arrest. Fortunately I had two laptops when I was under house arrest - one an Apple and one a different operating system. I was very proud of that because I know how to use both systems.
The best way to learn how to become trustworthy is to study other trustworthy people.
I know from experience that I make the best decisions when I'm into the story and inspired by the story, not when I'm sitting there trying to plot.
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.
You don't need any indictment in order to arrest someone; probable cause is sufficient to arrest civilians, so it must be enough to arrest police.
Baseball is part of America's plot, part of America's mysterious, underlying design-the plot in which we all conspire and collude, the plot of the story of our national life.
Martha Stewart is now under house arrest. So she'll go to her $40 million 153-acre estate. So she's going from the big house to an even bigger house.
Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.
I detest the word plot. I never, never think of plot. I think only and solely of character. Give me the characters; I'll tell you a story-maybe a thousand stories. The interaction between and among human beings is the only story worth telling.
We just kept moving back and forth because my mother never had a job. We kept getting kicked out of every house we were in. I believe six months was the longest we ever lived in a house.
WORK ON YOUR STORY! He/she who has the best story wins! In life! In business! The White House!