A Quote by Stephen King

Directing teenage actors is like juggling jars of nitro-glycerine: exhilarating and dangerous. — © Stephen King
Directing teenage actors is like juggling jars of nitro-glycerine: exhilarating and dangerous.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
Directing myself definitely made me a better actor. And, you know, I think actors have the best track record when they turn to directing. Writers, too. I knew how to direct actors because I've been there and I know what I like.
Directing is quite a nuts-and-bolts thing. It's a mixture of creating an atmosphere in which actors can feel safe enough to be dangerous.
Johnny Nitro was an homage to Eric Bischoff, who, I was his apprentice at the time. I liked that name. Basically, Vince McMahon thought that 'Nitro' reminded him of WCW, and when I became the ECW Champion, like, he had a couple times mentioned to me, 'If you're going to be a real star, you need a real name.'
I love directing actors. In the last few years, I have started expanding my directing into workshops for actors who truly want to grow and learn. My mom was a high school drama teacher, and teaching makes me very happy. My workshops are nurturing.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
I like dangerous directors who like dangerous actors and dangerous productions.
Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
People think that unless you become the de-glam girl, who has horrible things happening to her, you're not really acting; all it takes to cry for the camera is some glycerine. Not doing anything is what's difficult; I know a lot of actors who will agree with me.
I do a devilish borscht, and I'm very good at pickles. I used to make jars and jars of sweet-and-sour pickled cucumbers.
I always liked 'Johnny Blaze,' but we announced it on TV, and it was under copyright by Marvel. Then I had 'Johnny Spade,' and that name sucked, then I had 'Johnny Nitro.' Johnny Nitro was one of my favourite names.
You know I could go for a sandwich, but uh, I'm not gonna open TWO jars! I can't be opening and closing all kinds of jars... cltaning, who KNOWS how many knives!?
When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)
Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
When the jars of clay remember they are jars of clay, the treasure within gets all the glory, which seems somehow more fitting.
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